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The Final Problem » The Final Problem: First impressions » January 16, 2017 9:00 am

Sherli Bakerst
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So I've now read all the comments in this thread -- Wow.  And they made me think of something that I just want to throw out to see what you all think:

1) Euros/Euros: She's a genius but hyper-emotional.  In fact, her emotions override everything. 
2) If you say her name out loud, it comes out as, more or less -- Yer ohs (phonetically speaking).  Or -- Yourohs.  Tweak it slightly and it could be -- You're Us.
3) Extrapolating...  Euros/Eurus/You're Us is all the emotions that Mycroft and Sherlock have subjugated in themselves.  She, the sister, is the flip side or the mirror opposite to the brothers.  She has enough emotion for the two of them.
4) Euros/Eurus is what happens if emotions escape.  Euros/Eurus is emotions.  You're Us is the enemy.  Emotions are the enemy.
5) Sherlock and Mycroft have subsumed their emotions and focused on their intellect because they know what can happen if they let their emotions get the better of them.  Like they more or less said in ASiB (I think it was that episode).  They have seen what their sister does/is and, even if Sherlock doesn't remember it, they didn't want any part of it.  Perhaps because they know that if they do allow themselves to feel emotion, they know they'll have a hard time controlling themselves, as witness Sherlock's destruction of the coffin.  And they both have too much humanity to want to become like their sister.

It's late and maybe I'm just rambling or maybe there's something to this theory.  You decide! 
 

The Final Problem » The Final Problem: First impressions » January 16, 2017 7:22 am

Sherli Bakerst
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OMG, OMG, OMG!  I loved this episode!  I think it was definitely one of the strongest ones in the whole series.  Even though there were a number of things that didn't really make sense.  Like -- how Euros actually got out and how she managed to do all the technical things at Sherrinford and how she managed to get Moriarty on all the screens.  (I guess she put a guard under her spell but how did he manage to broadcast Moriarty to all of Britain?)  I mean, I get that she was supposed to be some kind of "super witch" with amazing powers but still...  But the dynamics between Sherlock and Mycroft and John were wonderful.  The acting was superb.

I think this episode is the perfect way to end "Sherlock."  The postscript by Mary really made it seem like it was the end of the show, to me anyway.  And while I wish the series could go on and on, I really don't see how it can, not after this particular episode.  This wrapped everything up very nicely -- I loved how Lestrade said Sherlock wasn't a great man but he was a good man -- and I think anything that came after this would kind of be a letdown because this episode was so deep, so heart-pounding, so traumatic, so revealing.  As a result of what he experienced in this episode, as well as everything that has happened before, Sherlock is human now (so is Mycroft) and I don't think there's any more character development left to do.  While it would certainly be fun to see Sherlock and John do more detecting, I don't actually need to see it.  I'm satisfied with the series as it is and I think it's completed its story-telling arc.

Now I'm off to read what everyone else thinks!

The Six Thatchers » First impressons and discussions » January 4, 2017 6:42 am

Sherli Bakerst
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I've only watched it once and will definitely watch it again.  Some initial impressions:
* I liked the first half much better than the second half.
* I really liked Mycroft and Sherlock arguing about his phone.
* The pacing was very fast; too fast, in my opinion, because many scenes seemed like they were too short and disjointed.
* I enjoyed Sherlock lecturing the baby about the rattle.
* Where was John???
* Hard to believe John would initiate an extra-marital affair, since he expressed such deep love for Mary in HLV.
* I think that woman on the bus has to have a more significant role in the show -- there's just got to be more to things than a simple affair.
* Felt the scenes showing Mary and her disguises as she flees went on way too long.
* Was confused by the beginning in the aquarium -- that location seemed rather out of character for the show, to me anyway.
* Sherlock's fight in the kitchen and the pool went on way too long for me.
* What's with Mycroft's office?  In prior episodes, he had a huge and airy office that looked like it was in some government building -- here, it looks like he's in some basement dungeon.
* I think the text overlay technique was overdone in this episode; a more sparing use of it would have made it more effective.
* Next time, I'll watch it with subtitles because, even though English is my first language, I still missed a lot of the dialog.
* Mary sacrificing herself the way she did was admirable, even though I don't like the character.
* I wasn't impressed by Martin's acting when John grieved Mary's death at the aquarium -- it seemed over the top to me and not completely real.
* Molly's look at Sherlock when she had to tell him what John said was heartbreaking -- that was excellent acting!
* I didn't really care for this episode -- it didn't seem like previous episodes -- but I couldn't really put my finger on why...
* ...Until I read this article, which now I realize is exactly what I felt about what was wrong with the episode: [u

The Abominable Bride » The Abominable Bride (for those who have seen it) » January 10, 2016 4:18 am

Sherli Bakerst
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I've read several comments that say Mary is working for Mycroft.  (Sorry, I don't remember who says so.)  But -- how do we know that?  Clearly I am missing something because I don't remember seeing or hearing anything that definitively indicated she was.  Someone please enlighten me as now it's bugging me! 

The Abominable Bride » The Abominable Bride (for those who have seen it) » January 8, 2016 4:49 am

Sherli Bakerst
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Vhanja wrote:

Spiritualism was very popular in Victorian times. I just don't think they fit the character of Sherlock Holmes.

I agree that spiritualism was not something Sherlock would be interested in other than as the object of scientific investigation but I can certainly see him being interested in and practicing yoga.  Isn't he supposed to be familiar with various kinds of Eastern martial arts?  I would think that along with that comes an interest in the philosophical underpinnings of the different styles of martial arts.  So from there, it doesn't seem, to me, to be a huge leap to think that he'd be interested in another Eastern tradition of physical and mental fitness that goes back centuries.  And the breathing techniques associated with yoga would definitely help him focus his thoughts.
 

The Abominable Bride » Sherlock cinema screening » January 7, 2016 5:00 am

KeepersPrice wrote:

Tobe and I saw it last night at the cinema. This made it our 3rd viewing - two on the TV screen and now the big screen. The show was supposed to start at 7:30 but after two rounds of the same Sherlock trivia questions and some Fathom Events and BBC ads it finally started around 8:00. (BTW, one of those trivia questions was incorrect and it drove us nuts. Did any of you see the one concerning the Blind Banker and the song on Moriarty's phone?).

Happy to be going again tonight. Last night I caught more references to lines found in the first 3 series. Sure to catch more tonight!

Wait -- What Sherlock trivia questions?!?  I saw it in a theater last night (Jan 5) but the only special features were the 221B tour before the movie and the interviews afterwards.  Did the theater here not show something?  Because, actually, I thought for some reason there was supposed to be three special features but when I only saw two, figured I'd been mistaken.

Anyway, I very much enjoyed seeing it a second time on a big screen.  I'll be watching it again on a large-screen TV this weekend as someone DVR'ed it for me and she and I will watch it together.  It's really helpful to read all the comments on this board and then go watch it!

The Abominable Bride » The Last Scene » January 6, 2016 8:15 am

Lilythiell wrote:

Last scene, Victorian Baker Street.
Or he's just still high.

I just saw the show a second time in a movie theater.  (Very different experience from watching it on my laptop!)  I saw it with a fellow fan and we both thought the very end back in the Victorian era meant that Sherlock was back in his mind palace as another reaction to whatever drugs he'd taken, a relapse as it were.  I didn't think of it as a joke at all.  But I do see how, in light of what Mycroft's notebook scribblings apparently are, that the postulations about Sherlock being a man out of his time could be correct. 

The Abominable Bride » The Abominable Bride (for those who have seen it) » January 3, 2016 7:44 am

Sherli Bakerst
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After reading all the posts here about what took place in the real present and what was just in Sherlock's mind palace, I keep having this niggling thought: What if the entire episode, all the action, every scene, was in his mind palace? 

Hear me out here!

There's a lot of discussion about when Sherlock took whatever drugs he took -- Was it on the plane or before???  No one knows.  But I have a theory, crazy though it seems.  I'm not sure I even believe it but, hey, it's just as bizarre as the special was. 

I'm thinking that Sherlock never got on the plane.  I'm thinking he's still in prison somewhere in England.  That he managed to get some drugs somehow and everything we saw in the special was his way of dealing with the fact that he is incarcerated somewhere because of what he did at the end of HLV.  That everything we saw him doing and thinking was wishful thinking on Sherlock's part.  None of it actually happened.  Maybe he's in his mind palace or high on something but it doesn't matter which.  The result is that he is looking back at his life through a filtered lens and the events we saw in the special are what Sherlock has magnified in his mind as being important.  It's his way of dealing with the predicament he is in. 

Moriarty is dead but he is not dead as long as he is stuck in Sherlock's mind.  "Miss me?" is Sherlock's brain saying he misses having the freedom to go and do whatever he wants whenever he wants.  The strong female thread throughout is just Sherlock acknowledging that he prefers dealing with strong and capable women to meek and malleable ones, and Mary is the epitome of that. 

I predict that Series 4, when it begins, will show Sherlock walking out of a dark and overbearing-looking building.  Mycroft will, ultimately, get him a pardon because he does always look after his little brother and can get Sherlock out of any and all his little fixes.

Hey, if this episode was all about Sherlock dreaming, I c

The Abominable Bride » The Abominable Bride (for those who have seen it) » January 2, 2016 5:40 am

Sherli Bakerst
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Phantom Lady, you wrote: I wonder... was I the only one who for a second or longer thought the note to Mary could have been from Moriarty? Since it just said M? Or was that just me?  My response: Nope!  That's exactly what I immediately thought, too!

ancientsgate: Thank you!  I'm glad I'm not the only one who didn't catch the drugs list thing.  I, too, was watching without analyzing, just to enjoy what I was looking at on the screen. I'll analyze later, sort of, maybe, if there is something I'm puzzled about, or in response to comments posted on the board. So many other people do such a good job of dissecting everything, I feel like I don't have to! 

(P.S.  Hi, KeepersPrice!  I wish I were still in MA so I could see this in a movie theater with you next week!)
 

The Abominable Bride » The Abominable Bride (for those who have seen it) » January 2, 2016 4:36 am

Sherli Bakerst
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Yeah, I definitely need to see it again!  Just finished watching the US broadcast and reading this entire thread for the first time.  I'm slightly annoyed because I tried to stream it from my computer to my TV, as I don't have a cable TV subscription, and it kept buffering so I discontinued that and then in the first half, the live stream on my computer winked out a few times.  So I missed short bits of dialog here and there. SO ANNOYING!  Fortunately, I am going to watch the movie screening on January 5th, which ought to be really cool and give a different perspective from watching it on a laptop.  And I'll watch it when it's rebroadcast and someone DVR'ed it for me and I can't wait to see it again!

Anyway,  the first time the setting shifted into the present time, all I could think was: Oh, Moftiss, you did it again and fooled us all!  But I really liked how the episode kept on time-shifting back and forth.  As for Moftiss saying this special was a one-off occurrence, I'm thinking what that means is that they will only do one show with this kind of time travel in it. 

I totally didn't get the purpose of "the list" until reading the comments here.  I don't think Sherlock was high all throughout HLV; it just doesn't realistic to me, for some reason.  Someone mentioned that Sherlock was high when he got on the plane on the tarmac, though, which seems more plausible.  But I wouldn't have known because I certainly couldn't tell (not that I have any experience in that kind of thing, however) and I'm kind of wondering why many if not all of you are so sure he was high when he was saying good-bye to John.  I can see that it makes sense but I'm just wondering what clues make you so sure.

On the other hand, I did recognize Dr. Hooper as Molly right away.  The voice was the giveaway: It was too high-pitched to be a man's voice, in my opinion.

I thou

Sherlock Special: Theories, Suggestions & News » The teaser trailer. » July 16, 2015 1:18 am

* The video was great--loved the end.  Hadn't seen it yet so thanks for posting it here.
* Thanks also for posting the transcript--I enjoyed the trailer but couldn't quite catch what John said at the end so it was nice to be able to read it.
* So that's the real version, huh?!  Methinks there's something afoot... 

 

TV Programmes » Poldark » June 27, 2015 6:55 am

PBS just started showing Poldark in the US last Sunday.  I've been eagerly waiting for it because I loved the 1970s version with Robin Ellis and I've read most of the books.  (Just found out the latest was published in 2002 and I haven't read that since I didn't know it existed.) 

However, I wasn't thrilled with Ep 1.  It was too truncated and there are way too many shots of people riding a horse or walking along the cliff edge by the sea.  And the way the camera kept closing in on the scar on Poldark's face was annoying.  But, the atmosphere and production design were great!

I was curious if any scenes were cut from the American broadcast and I discovered that, yes, unfortunately, about six minutes were deleted.  So I found a way to watch the British version online and I liked it better the second time around. 

The show has grown on me.  I just finished watching Ep 5.  The pace has picked up and I was hooked after Ep 3.  The plot is just as familiar but more condensed than the original TV version.  It would be interesting to watch the first version again.

Here's an article about the show from the Wall Street Journal:
http://www.wsj.com/articles/what-merits-the-remake-of-tvs-poldark-1435179972

 

Latest News » Review of Sherlock exhibition at the Museum of London » February 11, 2015 5:03 am

I didn't see this posted anywhere else; apologies if it has been.  Below is a link to a review of “Sherlock Holmes: The Man Who Never Lived and Will Never Die,” at the Museum of London until April 12th.  The review is very positive and it sounds like a great exhibition--I wish I could see it!

http://www.nytimes.com/2015/02/10/arts/design/at-the-museum-of-london-the-city-that-sherlock-holmes-knew.html?ref=todayspaper
 

Benedict's Press » New York Times, "Showing the Genius..." » January 2, 2015 6:56 pm

Just read it in today's paper and came here to post the link but saw you'd already done so.    It's a great profile!  As always, BC had interesting things to say.

Benedict's Non-Sherlock Work » The Imitation Game (spoiler thread for those who have seen it) » December 29, 2014 2:24 am

Sherli Bakerst
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I saw TIG this afternoon; it finally opened in my area on Thursday.  I thought it was great!  Just a few comments, because others have already said much of what I think about it.  I thought the scenes with young Alan were wonderful--Alex L portrayed adolescence beautifully.  The scene where he waited for Christopher returning from break, with the note in his hand, was heart-breaking.  I liked seeing actual war footage interspersed throughout the movie; to me, it brought home the urgency of the work being done at Bletchey Park.  Joan was very sympathetic and I liked her character a lot.  I did see traces of Sherlock when he said "Clearly."  I saw the movie with my parents and an aunt (I persuaded my mother to see Frankenstein with me and she raved about BC as the Creature) and my father made the connection with Coventry, which I thought pretty interesting (his comment and the connection to ASIB).  The costuming, cinematography, and music were excellent.

Benedict. Was. Amazing.  I haven't seen any of the other movies whose main actors are being touted as Oscar conenders but BC certainly deserves a nomination and, hopefully, he'll get the win.

One question I had was: What was the point of showing Turing running?  I think it was two times.  Was it to show that the man was an athlete and masculine in that sense?  Was it a metaphor to imply he was running away--or towards--something?  I'd be interested in what others who have seen the movie think.

Benedict's Non-Sherlock Work » Cabin pressure » December 25, 2014 12:30 am

Sherli Bakerst
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I heard it and...is there a thread for people who've already listened to it to discuss particulars?  I have some specific commens but don't want to spoil it for others.  If there isn't a separate thread, shall I start one or just wait a few days until people have had time to hear it???  I sort of feel all the comments should remain with this particular thread but I'm dying to talk about it! 

Benedict's Non-Sherlock Work » The Imitation Game » December 12, 2014 11:49 pm

Sherli Bakerst
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Not sure if this video has been posted anywhere yet but it's worth seeing more than once.    BC is interviewed by "The Carpetbagger," a reporter from The New York Times who does features about the Oscar race.  He's discussing Alan Turing and the video alternates between talking about The Imitation Game and the new Steven Hawking biopic.

http://www.nytimes.com/video/movies/100000003298134/battle-of-the-british-geniuses.html?playlistId=1194811668553

Benedict's Press » Benedict on TIMES cover » November 30, 2014 12:14 am

My uncle had Time magazine with him when he came to visit for Thanksgiving so I got to read the interview in the original print version: Nice!  BC was his usual erudite self; I enjoyed reading his thoughts about the characters he's played.

Benedict's Non-Sherlock Work » The Imitation Game » November 28, 2014 6:44 am

Sherli Bakerst
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Here's the review in The New York Times, which says that BC's performance "...makes his Alan Turing one of the year’s finest pieces of screen acting":

http://www.nytimes.com/2014/11/28/movies/the-imitation-game-stars-benedict-cumberbatch.html?hp&action=click&pgtype=Homepage&module=mini-moth&region=top-stories-below&WT.nav=top-stories-below&_r=0#

There is also a short video segment where the director discusses the making of a scene and also a slide show of the premiere in New York.

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