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The Sign of Three » The wedding guests » February 15, 2014 2:52 am

Given that the series has emphasized the aloneness of all of the main characters...how come so many people at the wedding?

We were told it was "thin on Mary's side," which implies that John had more people to invite than she did. Now, with John, we get some mixed messages about his social life: we hear about his "friends" (plural), but we've heard they hate him.

But at Sherlock's grave he said, "I was so alone." 

And many of the obvious ones - including his own sister and the one other friends we knew about before Sherlock, weren't there.

In many shows, particularly comedies, the reverse happens: we get several plotlines throughout the series about friends or relatives visiting, and then in the wedding episode...they're not there.

Character Analysis » Sherlock's relationship with Mycroft » February 15, 2014 2:47 am

I have begun to feel like, whatever Mycroft's intentions toward Sherlock - whatever his feelings underneath - a lot of Sherlock's personality issues seem to have their roots in his relationship with Mycroft. The whole "caring is not advantage" and "better not to have emotions" thing seems to have been taught by Mycroft, and Sherlock also seems to feel insecure about his intelligence because he's had Mycroft to compare himself to.

I thought Mycroft had "raised" him...but then we met the seemingly normal and decent Mr. and Mrs. Holmes.

And finally, in canon, Mycroft did bring Sherlock a few cases on behalf of the British government, but that wasn't the bulk of Sherlock's work. Here, Mycroft is directing Sherlock a lot more than in canon, or sometimes he's not directing, but much of Sherlock's work is more "James Bond" than detective, and relates to Mycroft's work.

And one thing I don't like about that: it means that somebody is "onstage" much of the time who is as smart as Sherlock. Sherlock's uniqueness is diminished because there are two "Holmes brothers" much alike, and Sherlock becomes the secondary one.

His Last Vow » John? Out of character? » February 15, 2014 2:33 am

Ozma wrote:

OK so let me recap this, John nearly died himself from the pain of seeing Sherlock jump to his death, then pined for him for 2 years - now Sherlock tells him  that it's unlikely that they'll ever meet again, and he has no reactions at all??

Didn't this seem a bit weird? Was John so attached to him before only because he had no one else??

I see Ozma's point. But I feel more strongly about not liking / buying / agreeing with John's reactions after Sherlock is shot, as I have said.

I actually thought that John's saying, "The game is over" said a lot. It COULD suggest that he will miss "the game" more than Sherlock himself, but somehow, I didn't think so. 

And I, too, was struck by the timing: he kind of JUST got Sherlock back. And after Sherlock got his name cleared, he actually destroys his own good name through his own actions.

But on the other hand, it's possible that given what John now has seen and knows about Sherlock, he is able to hope that Sherlock will come out alive.

General Sherlock Discussion » The Mor...... names » February 14, 2014 3:27 am

Not that there's anything funny about Mary shooting Sherlock, but if you think about it,  it's almost a pun on what Johnlockers would say, or what the Walsh essay said: 

Mrs. Watson shatters Sherlock Holmes' heart. / almost kills Holmes (insert other metaphor for emotional pain.)

(I once heard one of my English professors explain dreams as puns - he gave the example of a dream where somebody you over gossiping about you literally bites you in the back. Or like when you feel overwhelmed by work or something, and you dream that you're being pulled under water or a pile of something.)

Character Analysis » Mrs. Hudson -- includes Season 3 spoilers » February 14, 2014 3:23 am

I think we were supposed to believe she got involved with, and married Frank Hudson before realizing what he was up to. She says her attraction to him was physical and she found out bad things about him later...

But of course, CAM could always twist the story...

The Sign of Three » Why did Sherlock leave the wedding early, looking so sad and dejected? » February 14, 2014 3:14 am

QuiteExtraordinary wrote:

No, probably Sherlock and John don't like each other at all. They're basically robots, and Sherlock is programmed to start an automatic process of self-destruction whenever he loses a game.
Luckily Mycroft knows where the off-switch is.

[Yes, that was sarcasm, in case anyone didn't get it. I just got a bit angry. And I'm also fed up with the insinuations that I have to ask every single actor and creator of the show before I can draw any kind of conclusion, and that I have to change my point of view if theirs is different.]

Well, in all seriousness, there are a lot of times they don't come across as liking each other. And rather than a consistent progression of a relationship, we have the "mood whiplash," of anger in TEH, the lovefest of TSoT, and then HLV...

Hey, maybe CAM was a robot (so the storing of data in his mind was much more literal!) Of course, Sherlock would have to know this in advance for it to morally excuse the shooting. 

I'm not TOTALLY joking...these writers are capable of pulling something like that. 

It did strike me that CAM, for all cunning manipulations, wasn't very smart about his personal, physical security. He put himself in situations where he could be physically attacked by his enemies. It has been mentioned that he never checked John and Sherlock for weapons at Appledore, and there were other times, like at Baker Street - that was John, Sherlock, and Mycroft's territory. So maybe it wasn't the "real" CAM who standing in front of them, so easy to shoot.

Sorry, I went off topic - in response to robot joke.
 

His Last Vow » How Mary could have shot Sherlock and everyone forgave her for it » February 14, 2014 3:06 am

Tinks wrote:

I think there are some brilliant points made in here.
I want to say that I'm not anti Mary at all, but I am anti what Moftiss did with her and really don't understand at this stage why they did it.
John could've found out about her past in any other way, and forgiven her, but having her shoot his friend, having John behave the way he did and then having him forgive her without even bothering to check her file for who she really was - the whole thing just feels like the rug has been pulled from under our feet.
It would only make sense now, if, as has been suggested, John was to find out who she really is and deal with that in a way that doesn't involve blaming Sherlock, but I really don't think that will happen, and while I'm happy to accept Mary as part of the show's future if she's in it for the long run, at the back of my mind, I can't get past the callousness of either her shooting Sherlock in the way she did or of hers and John's behaviour towards him afterwards

Also, on the subject of Ben staying in the show - it did cross my mind that IF he got too busy to carry on with it, the writers have got themselves a nice little set up with Mary and John where they could do a spin off if them solving crimes together while Sherlock's supposedly off on other cases.

If it weren't for the shooting of Sherlock, the writers could pull off a twist of having Mary's "background" be fake - a plant (by Mycroft?) - or some sort of switch with some other CAM victim -  to trap CAM into "pressuring" someone who is in fact innocent, or for whom the essential point of the pressure doesn't exist. (Hey, these writers are capable of that?)

That would still make Mary essentially a spy or government agent of sorts, but more, well, honorable.
 

His Last Vow » Molly being in Sherlock's Mind Palace » February 14, 2014 2:58 am

I think it's in his interactions with Molly that we Sherlock changing in a positive way...he is considerably progressively nicer to her as the series progresses. 

And she is increasingly assertive with him, with him acknowledging he deserves some of her smack-downs (verbal and literal).

We don't see this kind of progress in his relationship with John, or, it's uneven: there is anger between the boys in TEH and HLV, with the love-fest in between.

And note who is NOT in the mind-palace at all: John.

His Last Vow » Why the M16 Mission? » February 14, 2014 2:47 am

What was the problem with putting Sherlock in an actual prison? Does Mycroft think he's smart enough to escape? Even under extreme security conditions? Is he afraid Sherlock fans (readers of John's blog) will riot? A case could be made for prosceuting John too, as an accomplice, even if from we what we saw, he wasn't, morally.

(Pretty ironic - Moriarty "smeared" Sherlock but his reputation has been so thoroughly turned around that when he actually kills someone, it's not safe to prosecute him in the normal way.)

Or could it be that Mycroft advocates this punishment because he secretly believes Sherlock will actually survive the M16 mission? Perhaps Sherlock did something very like, and survived, during his two years of hiding? It's supposed to be "hardly merciful," and mean near-certain death, but it also seems like the kind of adventure Sherlock would be amenable to, and therefore, not entirely a punishment.

Or does Mycroft know/believe that the REAL punishment, in the sense of the thing that truly hurt and upset Sherlock, is the separation from John?

I'm wondering, too, about the accuracy / honesty of NOT exiling Sherlock because he's the only one who could stop Moriarty: what about Mycroft himself? Seems like Sherlock's out-gambiting Moriarty before took a LOT of involvement by Mycroft...

His Last Vow » What Sherlock did... » February 14, 2014 2:38 am

Harriet wrote:

It's like the writers went too far, right?

Yes, I think there were ways to make Mary one of the many people CAM had something on, something that could expose her to danger or criminal charges, (she could even have WITNESSED a murder in the past and been more or less in hiding, and there could have been a possibility that CAM could twist the story to make her APPEAR the criminal) without making her a professional assassin and CERTAINLY without making her shoot Sherlock.

That said, whatever WE might think of the CIA morally - John and Sherlock aren't in a much of a position to judge her morally - I'm not saying they are "exactly the same" as her, but certainly there are parallels with the work they do.

And aren't the British and US governments generally seen to be on the same side, militarily and politically speaking? I bet Mycroft knows where to find people like Mary to use in the name of the British government...

And there are series' where US and British Secret Agents (some female) are, if not the "good guys," protagonists and the ones we are set up to "root" for: James Bond; Max and 99; Steed and Peel. Even if we had been told Mary was "a spy" or "an undercover operative," instead of the emphasis on the killing angle, she would come across very differently - even if really underneath it's the same thing.

And I think it's interesting that they completely avoided the OTHER potential moral dilemma for Sherlock:  If Mary were killed, arrested, or had to disappear, that would mean Sherlock would have John all to himself again. He never seems tempted by this angle.
 

His Last Vow » What Sherlock did... » February 14, 2014 2:04 am

Willow wrote:

miriel68 wrote:

Also, because Sherlock realized that he would never be able to free John & Mary from Magnussen's threat AND that he just handed M. the leverage on Mycroft he had been trying to get for such a long time.

It just struck me, that S. waited to shoot M. when the helicopter & special forces were in sight, because he wanted it to be absolutely clear that John is not involved in the murder. He could have "dealt" with M. in a more discreet way but in that case John would be almost certainly be considered his accomplice and Mary's past would be also investigated by the police.

Indeed so; this is why I disagree strongly with the interpretation that Sherlock 'broke' because CAM was nasty to John. Sherlock didn't break at all...
 

I understand that John wasn't really "involved" in the shooting -  there was no plan to kill CAM when they went to Appledore (at least, they didn't discuss one), and that Sherlock was the only actual shooter - but I can imagine many prosecutors (or whoever represents "The Law") prosecuting John as well: often if there are two people on the scene together, especially in the case of a break-in, and only one shoots, the other will be treated as an accomplice.

And I question whether Mary is really safe: what about the "people" CAM could have "called on"? Has he left any instructions for them?

His Last Vow » Psychopath » February 14, 2014 1:48 am

RavenMorganLeigh wrote:

Ormond Sacker wrote:

I read an essay a while back called "Socialising the Psychopath". It was written at a time where we only had season 1, but basically the writer demonstrated the clear psychopathic features that John displayed already then, or rather features of ASPD as it called today. He's not a full blooded one, but he has sides of his character that are similar.

(As an aside, the writer did the same with the Jude Law's Watson.)

I would LOVE to read this article!!!
 

Whether we call it "psychopathy" or not, I think it's a little bit of a problem for any Sherlock Holmes adaptation if John Watson is too similar to Sherlock, particularly in what his flaws are. 

What Sherlock discusses in his best man speech SHOULD be the function of John Watson: a fairly-normal person (albeit willing to be a part of Holmes' work, and usually finding it exciting), who can be something of a role model for Holmes, look after him, and protect Holmes from himself, while also showing Holmes that pure friendship, love (meaning in a platonic sense), and loyalty do exist.

But I don't see THIS John Watson as accomplishing that (and moreover, I don't see much change in Sherlock that relates to John - the biggest change I see is that he's nicer to Molly.)

Think about all the issues John shares with Sherlock: has few friends, or they hate him; he lashes out in anger (some people here say he deals with emotions by repressing them - do those last two contradict each other?); he seems addicted to excitement and danger and not particularly to care about the actual people either; he's certainly willing to kill. After all, a war zone was his "normal" for a long time.

I was surprised Sherlock called him "a romantic" actually.

 

His Last Vow » Season 3 difference in POV; Sherlock VS John, not a machine, after all » February 14, 2014 1:23 am

Tinks wrote:

@ravenmorganleigh
I'm with you on the way female characters are written - I've given my take a couple of times on this forum about the portrayal of "strong" women especially - Mary was great as she was to begin with but it has to be overemphasised by making her a killer, for instance!
And I'm totally with you on Molly slapping Sherlock - I don't get why so many thought this was a great moment; Molly is quiet, but strong and loyal. She has a hopeless crush on Sherlock but I've never seen her as weak, just quiet in nature.
And she was beginning to understand Sherlock, too.
Having her hit him like that seemed to take so much away from her, and I promise I do have a sense of humour! But I saw nothing funny in it, any more than I did in John head butting Sherlock.

The view of women is almost a step down from canon...for all we've heard about either Doyle or Holmes being misogynists, there aren't too many female criminals or truly "bad" women in canon, and females who break the law, or act dishonestly, are often shown to either have sympathetic reasons or to be accomplices of abusive partners who physically bully them into being accomplices. 

(There is no evidence canon-Irene is actually threatening the King except his own claim; she has actually refused to sell it back to him for money; and he is basically persecuting her. He admits he tried to abduct her to get the photograph back.)

And while the women's jobs and life goals are obviously limited by their times, many show a certain amount of spunk and the ability to look out for themselves when they need to. Mary Morstan included. Holmes has positive things to say about her as a person, even as he is warning Watson against all love. I think he even acknowledges she could be of use in their work!

There are some pretty terrible men in canon; most of the women end up looking either smarter or morally better than the males surrounding them. (Violet Smith vs. her employer; Grace Dunbar vs. Gibson; Ire

His Last Vow » Pictures from His Last Vow » February 14, 2014 1:15 am

kittykat wrote:

Oh, God...it came true!!!

What was it that came true?

His Last Vow » Mary saving Sherlock » February 14, 2014 1:12 am

To me, the problem with this theory is how near-fatal the shooting was. It's implied Sherlock really has to fight NOT to die.

And I've said: leaving morailty out of it and considering things from the point of view of what Mary wanted, it was very STUPID (in the sense of being detrimental to her agenda) to shoot him. She's trying not to lose John...and she shoots the OTHER person John loves? She is in danger because CAM is threatening to reveal information about her past...so she shoots another person who absolutely hates CAM, will go a long way to bring him down, and will do anything to protect John Watson? (That would be Sherlock, of course.) She put him out of action, was which a good thing from CAM's point of view (and a terrible thing for the Smallwoods).

I get the sense that Sherlock may not consider her past that evil, (there are certain parallels with his own work, after all). And even if he didn't approve of it he is willing, as we see, to protect her John's sake.

Theoretically, a Mrs. Watson (well, any woman interested in John) could view Sherlock as a rival or threat to the relationship...but she was established as liking Sherlock, NOT feeling threatened, and even facilitating John and Sherlock's renewed closeness...unless it's all an act...spies do put on acts.

The Empty Hearse » Reunion - do you think... » February 14, 2014 1:04 am

Michele wrote:

besleybean wrote:

But Irene had been seen dead on the slab...

Yes but with a 'bashed up' face. So the body matched not the face. Irene knew Sherlock could pick her from her measurements.

But Sherlock was fooled...which is ironic...but maybe Sherlock thought, when HE was apparently dead, John would remember about Irene ("Irene faked her death, so John knows it's possible to do.")

His Last Vow » Season 3 difference in POV; Sherlock VS John, not a machine, after all » February 12, 2014 1:44 am

RavenMorganLeigh wrote:

SherlocklivesinOH wrote:

I think the number of people who DID know - and therefore Sherlock was in some sense trusting more than John - was a big issue for John.

And although John didn't know this at the time of the Baker Street scene, every time he forgives Sherlock, he keeps losing him or almost losing him:

1) Reichenbach
2)  The shooting
3) the M16 mission

As I have said, John's lashing out at Sherlock during the Baker Street due to leftover anger from Sherlock's two-year disappearance might have "worked better" in the sense of being believable, if we hadn't had TSoT in between the two episodes where John shows anger. In TSoT you really felt like that issue was over, and any "tension" between them was due to Sherlock's fear of losing John...which he nonetheless handles pretty maturely...and TSoT actually feels very "series finale-ish"...but then in the NEXT episode John is once angry at Sherlock...for something that doesn't seem to be Sherlock's fault.

 I re-watched the series last night-- and i gotta tell you, I think you're spot on.. I felt like I was getting whiplash. It's like, oh greatm they're cool again, and then-- oh, here we go again--crap!

TVTropes actually uses the term "Mood Whiplash," to refer to this kind of thing. 

The other cause of the "whiplash" is that in TSoT, it seemed like Sherlock and Janine were genuinely attracted to each other, making another positive step for Sherlock toward improving his social skills and relationships.

The issue about the different ways women can be portrayed is actually an issue an issue I have with this series' Irene. The original DID push the boundaries of what was acceptable for society...she's an actress and an "adventuress," seems to live on her own, though has probably had some other affairs besides the one we hear about...but it seems like there are also people who admire her, much in the fashion of glamorizing celebrities today.

And she was shown NOT to be a cr

The Sign of Three » Why did Sherlock leave the wedding early, looking so sad and dejected? » February 12, 2014 12:32 am

hfswgsoh wrote:

I think.....
Sherlock beleives that Mary's baby is not John's, or at least she's not sure if it's John's or someone else's.... eitherway Sherlock figured out she's been cheating.
Something in her reaction gave it away I think..... Also why was her ex floating around the wedding? That didn't really add anything to the story other than providing a little comical moment for Sherlock to play the over protective big brother.

Mary's done the dirty. Sherlock figured it out. I *think*.

The baby not being John's actually made sense at the time, with only TSoT to go on.

But I think, if the baby is actually John's, it provides a stronger rationale for Sherlock protecting Mary (after she has hurt him and John) in HLV. I wouldn't have pegged Sherlock as a "kid" person...but he did get along very well with Archie (being childlike himself may help with befriending a child). If John is the one person he's become attached to, I could believe in him caring about a Baby Watson. One of the baby's parents may be an assassin...but its other parent is "his Watson." (Canon Holmes actually does say "my Watson," a couple of times.) And therefore, almost a niece / nephew or even stepchild to Sherlock himself (since in this one he acts like he thinks he's marrying John.)

We've seen John and Mary living together (or at least, staying overnight together - the shaving scene) - so I don't think there's any reason why the baby COULDN'T be John's...the only possible candidate for another lover, whom we've been shown clues about would be David, though it does seem Sherlock finds his continued attachment to Mary inappropriate.
 

His Last Vow » What Sherlock did... » February 12, 2014 12:22 am

lil wrote:

miriel68 wrote:

I found interesting what BC said during Apple Store Q&A: that S. shot M. because he was outsmarted by him. Yes, of course it was a sacrifice and he was thinking about John etc. etc. but I think B. is right about it: there is some dark motivation about what Sherlock did, as well.

 
Yes I agreee, Sherlock was desperate to win this game , he had everything on the line. What smarts couldn't do the gun did.
Sherlock had that plan anyway I think..asking John to bring the gun. 

I've been wondering why he didn't take Mary along too. Seems like she would have been a valuable ally in a situation like this...unless Sherlock had reason to believe she wouldn't be an ally. Maybe things could have been manipulated so she would do the killing..

I don't think Sherlock and John in this universe necessarily have old-fashioned ideas about keeping women out of confrontations or dangerous situations. Of course, there is the fact that Mary is pregnant...but doesn't it seem like drugging her was taking a risk with regard to the baby?

And couldn't they have told her where they were going, even if they didn't take her along? She might have insisted on going, I suppose.
 

Series Four Suggestions & Ideas » Moriarty theories » February 11, 2014 11:56 pm

Heck, knowing THIS series, CAM could still be alive!

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