Series Four Suggestions & Ideas » The things that were never said... » February 18, 2014 2:17 am |
Tinks wrote:
That's a good question.
I think I'd go for Mycroft and Sherlock - I'd like Sherlock to know here he stands with Mycroft and to know that he's watching over him because he cares and not because he doesn't trust him.
I'd like him to understand that Mycroft can't always show this publicly because there are people that would try to get to him by harming his Brother.
I think this would help Sherlock to grow out of the showing off which has sometimes thrown him off balance in his cases - that need to outsmart/impress his Brother.
Plus I think it would help him to know that he matters to his Brother,
I haven't chosen a conversation between Sherlock and John because at this stage I wouldn't know where to begin with them!
I think a lot of Sherlock's issues come from either comparing himself to Mycroft or the way Mycroft directs him.
His Last Vow » What Sherlock did... » February 18, 2014 2:04 am |
On the flip side, why is Mycroft so unable to condone the shooting of CAM, given the kind of intelligence work he's involved in? Why was Sherlock's killing CAM so much of a stretch for Mycroft?
In real life, yes, it should be prosecuted as murder, but it seems like it's not that much of a stretch for what's condoned in this 'verse, particularly given how many people high-up would have been glad to see CAM gone...and I think it's being hinted that he associated with Moriarty (who physically killed people) but we still have to find that out.
Sherlock is something of a "private citizen who takes the law into their own hands" - but he also kind of works under the auspices of the police and government.
Series Four News » Vertue and Moffat on series 4 and 5 » February 18, 2014 1:22 am |
miriel68 wrote:
Oh my, now we have to wait about 4 years for this 5th "terrifying" season? Ok, count on me Moffat & Gatiss, I will be there.
Think how long Doyle's readers had to wait!
His Last Vow » Drugs: Do you believe Sherlock? » February 17, 2014 11:08 pm |
Willow wrote:
RavenMorganLeigh wrote:
It's always struck me that here, in the US-- almost EVERYBODY'S addicted to something-- as per US modern perceptions: If you have a glass of wine or a drink every evening, you're a "maintence alcholic", smokers are considered addicts, there's food addiction, internet addiction, relationship addiction, sex addiction, ; we have a very cut and dried , black and white view of it, and we are most often quite punitive in the way we handle it. That attitude in Sherlock makes me sad, because I've always thought of our cousins accross the pond as being far more enlightened and sensible about such things.
That said, I can understand that it was done for dramatic licence. Still doesn't make me love it.It's yet another of the dualities that Moftiss love to write; we have John sliding shots into his own and Sherlock's drinks on his stag night, yet going bonkers when he finds Sherlock in the dope den. John's sister is an alcoholic yet John really wants to get drunk on his stag night; he simultaneously recognises that alcohol is a drug yet sets it apart as if it isn't a drug, really.
Fortunately our culture has not yet succumbed to the extent that the US has, possibly because we have the NHS, which everybody pays for, not wishing to use funds on stuff which appears to be designed to ensure that every single person has something wrong with them for which they should have expensive treatment.
You do wonder if the Stag Night contributed to Sherlock's fall off the wagon...and if John felt so strongly about Sherlock staying off drugs, and about Harry, it was pretty irresponsible or hypocritical to get Sherlock drunk.
The author of the Decoding the Subtext blog reviewed the Russian series and pointed out that that series eliminated the cocaine issue..that western media takes addiction too much for granted.
But in the case of Sherlock Holmes and drugs, we can't really blame modern western media: since he uses co
Character Analysis » Who is Magnussen? » February 17, 2014 10:49 pm |
dartmoordoggers wrote:
I suppose the obvious connection to real life would be a Rupert Murdoch character. Particularly given whats happened in the UK over the past few years. i.e, Leveson Inquiry, closure of the News of the World, phone hacking scandal, etc.
The 'pissing' scene. Has been linked to a number of newspaper editors over the years.
The satirical comedy 'Hacks' 2012 shows some of the methods employed by a Magnussen character.
I know the News of the World and some of Murdoch's team obtained information in sleazy ways, but they did use it to get money or favors in exchange for NOT publishing?
Since I don't follow celebrity gossip much, I'm not sure what the deal was with Prince Harry and the other royals whose privacy was invaded...but another web site said something happened that was a lot like SiB and HLV.
It would have been easy to make this character a little more ambiguous...to raise more of a question as to whether the people he was holding something over deserved our sympathy or whether they deserved to be exposed, such as MP who was indicted for corruption.
But the acting and writing, in this case, did a pretty good job of convincing us of CAM's evilness.
Of course, most of the blackmail material in the original Milverton story wouldn't be scandalous today (in the case of one client, not even premarital sex, necessarily, just a love letter written to someone before the client met her current fiance). Through a modern lens, you feel like, the victims would be better off if he published...they would see that everyone they were hiding from was also hiding something.
I was glad at that least they upped the ante and had the modern CAM focusing on more serious things (i.e., the sexual matter involved someone underage.)
His Last Vow » John? Out of character? » February 17, 2014 10:43 pm |
lil wrote:
Expecting Sherlock/John to already have the huge and wonderful relationship they have in canon and we know they are going to have before the events that formed it happen , actually happen is a mistake.
At the end of TRF John is sad and mourning yes ,in the graveyard scene, but I don't see a totally devastated emotionally crippled man..he mourns and misses Sherlock loads but he does eventually get on with his life.
Sherlocks return and the events of series three eventually bring them closer together. TRF is dealt with and over by the end of TEH. In TSOT as a duo they are better than they were before.
John is confused and OOC in HLV because he is realising that the person he clicks with and the person he loves best and what makes him happy..is not some wife and a kid and a quiet life in the burbs...its adventures with Sherlock.
John is all over the place..torn between Sherlock first ( heart) and Mary first (head).
Sherlock already knows the only person he clicks with and loves is John..thats why he trys to do whats best for John and not himself.
Maybe Sherlock learnt from actually dieing this time..that he actually doesn't want to die ..he has a reason to live ..and it's not just cases..its cases with John.
Everyone and everything is stalemated atm tho..by the baby issue.
Thats why Sherlock manipulates the marriage reunion.
Thats why John can't face Marys truths.
Likely thats why Mycroft hasn't tipped lestade to the shooters ID.
A lot of the OOC John is annoying and hard to understand and I think we all really feel for Sherlock this series which exasperates it.
However it is going through all theese times together..good and bad ..that will lead us to the /endgame and the fantastic "us against the world" inseperable symbiotic combo seen in canon.
We have seen the relationship grow and grow and yes heres a rocky patch or two but...My guess is we are almost there.
I'm not sure it's so much John being out of character as the fact that throughout Sea
…Series Four Suggestions & Ideas » If they're into using crazy fan theories... » February 17, 2014 3:05 am |
Is everybody familiar with the phrase "epileptic trees," meaning crazy fan theories?
One such theory, regarding canon, was that Holmes did in fact kill the blackmailer, Milverton, and writing another shooter into the story was just cover-up by Watson.
Sherlock's actually shooting CAM in this series might suggest that Mofftis are paying attention to those wild guesses.
But another theory is that the Holmes who came back from Hiatus was an impostor...so the implications are scary, although it would at least redeem the "real" Sherlock.
But the events of TSoT we want the real Sherlock to have done.
His Last Vow » John? Out of character? » February 17, 2014 2:51 am |
Wiggins wrote:
Do she and baby die in canon? I've just started reading them having come to Dharkock thi December and rapidly watching and rewatching all three seasons in just a couple weeks time.
I thought I had read online that she dies in child birth but then read on some posts here about her just disappearing.
I wasn't sure and haven't investigated much bc I don't want to end up reading plots of books I haven't made it to you yet.
However even in canon- I believe it's Scandal in Belgrave that starts out saying after the wedding Watson and Sherlock lose touch and a distance forms between after wedding due to the setting up of house and such.
So despite all the angst here- the strained relationship is straight out of canon and honestly true to real world relationships.
Yes, there is a mention in canon of the wedding putting some distance between them. Watson says this; however, there are multiple instances of him jumping when Holmes calls - and going away with him and/or spending the night with him, either at the location of the case, or sometimes even at Baker Street, when there's theoretically no reason he couldn't go home for the night. Also, Holmes' excuses for needing him are often flimsy. And sometimes Holmes turns up at the Watson house in the middle of the night, asks if he can stay over and have Watson go with him on a case in the morning...and Watson seems to sit up with him most of the night.
There are also times Watson drifts toward Baker Street and visits Holmes for no apparent reason (Holmes will be on a case, but Watson doesn't know that when he shows up.)
There is no actual mention of a baby in canon - just of Mary having died before Holmes comes back from Hiatus. And there's a sense of their relationship being stronger after he gets back - Watson moves back to Baker Street and gives up his own practice.
Series Four Suggestions & Ideas » 4 Things I Want from Sherlock Series 4 » February 17, 2014 2:45 am |
Sherlock Holmes wrote:
silverblaze wrote:
Liked your article.
I'm thinking, what if Mary becomes the protagonist from The Valley of Fear? That'd give her a good backstory and plenty of villains to hunt her, including Moriarty's brother. And the video is a threat to her.McMurdo is one of my favourite canon characters ever! What a hero. That would be cool.
Which would redeem Mary somewhat...I don't think we see McMurdo directly killing anyone in the Valley. He pretends to be part of the group of killers for a while without stopping them, to establish himself. But Mary's background isn't the biggest problem now, in terms of her bieng a bad guy: while we may not be comfortable morally with what the CIA does - I'm not - there are shows and such where American spies are the good guys, or at least, we have to accept the other side is worse. And there are parallels between what they do and what John and Sherlock do.
The biggest problem is, whatever heroics Mary turns out to have done in her past life, it doesn't change her shooting Sherlock....unless it was somewhat "under duress," in that CAM told her to do it as the price of her own safety, and even then...
Series Four Suggestions & Ideas » Suspicious scenes from season 3. » February 17, 2014 2:40 am |
besleybean wrote:
I suppose that would be canonical(the Sherlock not being involved part!)...but I somehow feel Sherlock may get involved...to save John, if nothing else.
I actually almost wonder if he WAS involved in canon...her death comes across as very convenient.
There could be a need for her to go into some kind of hiding, akin to witness protection, and John could have the option of going with her but choose to stay with Sherlock?
The most tidy ending to HLV would have been for MARY to be the one to shoot CAM and either get killed in the process or take the punishment...but that would be too easy for these writers.
I wonder if the MPs will end up just letting Sherlock off the hook...to be honest, even though treating the killing of CAM as a crime was morally correct, I was surprised by that, given how many people wanted to be free of that guy. And if Moriarty and CAM were associated in some way, than CAM was associated with someone who strapped bombs to people...
Someone made a joke in another thread about Sherlock and John being "basically robots," and I suddenly thought, hey, what if what Sherlock shot was a robot (that actually stored data?)
And I read someone else's prediction that someone else actually shot CAM at the same time (Lord Smallwood? Having faked his suicide?)
I also have the idea that it could turn out Mary was never an assassin - either a phony background was planted by Mycroft and/or Sherlock for some reason, or she's indeed in hiding and living under a false identity because she was targeted by assassins, or the mob, in some way, or even because her family ARE those people. Which would make her still guilty of lying to John about her past, and mean that there was real danger to her...but that doesn't get me around her shooting Sherlock (which is more of a problem for the character, in the sense of what makes her a bad guy, than the background) unless one of her family was a sister looking just like her.
Series Four Suggestions & Ideas » Suspicious scenes from season 3. » February 17, 2014 2:33 am |
Clancy wrote:
I was initially expecting something (tragic) to happen to prevent the baby appearing on screen, but on reflection I can see Moftiss rubbing their hands with glee at the thought of seeing what Sherlock would be like with a baby, so maybe it will happen.
Surprisingly, Sherlock seems to do ok around kids. (Remember Archie.) I say "surprisingly," because it doesn't go with his general attitude toward relationships, but on the other hand, being a little child-like yourself helps you relate to kids.
And maybe part of his motivation for his actions in HLV is that he cares about protecting the child of his one true friend, in the same way that he would care about protecting that friend himself.
Series Four Suggestions & Ideas » Suspicious scenes from season 3. » February 17, 2014 2:27 am |
I wonder if "the other one" is a twin to Sherlock...who will turn out to be the one who really went to Appeldore and shot Magnussen. Because, forget the survival of Moriarty...how are they going to pull Sherlock out of this one? Or Mary?
General Sherlock Discussion » Have We Had This Famous Johnlock Moment? » February 16, 2014 8:20 pm |
Have we had a scene in the BBC series that parallels this scene from the story "The Three Garridebs"?
I felt a sudden hot sear as if a red-hot iron had been pressed to my thigh. There was a crash as Holmes's pistol came down on the man's head. I had a vision of him sprawling upon the floor with blood running down his face while Holmes rummaged him for weapons. Then my friend's wiry arms were round me, and he was leading me to a chair.
"You're not hurt, Watson? For God's sake, say that you are not hurt!"
And Watson says:
It was worth a wound — it was worth many wounds — to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.
Holmes also tells the shooter, "If you had killed Watson, you would not have got out of this room alive."
Now, this is supposed to be the ultimate showing by Holmes of his love for Watson, but in fact, I think it actually says a lot more about Watson's feelings. Holmes' actual display of emotion is relatively mild for someone getting shot (though, granted, that's typical of the era, too). Watson is saying it was worth getting SHOT to see that Holmes cared about him.
Watson is the one who comes off as more in love throughout canon...besides this, he describes Holmes in romantic or reverential terms, and runs around after him.
His Last Vow » Pictures from His Last Vow » February 16, 2014 8:14 pm |
besleybean wrote:
The love between those boys...
And yet...someone...shot Sherlock....and John stayed married to her....and let Sherlock sacrifice himself.
His Last Vow » Pictures from His Last Vow » February 16, 2014 8:12 pm |
kittykat wrote:
Oh, God...it came true!!!
Sorry...what came true?
A Scandal In Belgravia » What is it with Sherlock and Irene? » February 16, 2014 8:06 pm |
Eselin wrote: (sexual need can bring someone's defenses down completely)
This is why it backfired on Irene in the end! I am never crazy about female characters being shown to "wield power" through sex, because it makes THEM vulnerable to the men, too. Agatha Christie often did this with her female murder victims who were supposedly femme fatales - showed that the men they were involved with were exploiting THEM.
And I guess, I see that kind of female character's characterization as revolving too much around men, and giving men something the men really want, even if the female gets something out of it too.
CaseyB wrote "the drugging and beating him bit"
The drugging and beating Sherlock is something else that makes me go: wait, shouldn't that be a bigger deal, in terms of making Sherlock see her as an enemy? Unless he has...those kinds of...tastes?
Didn't she threaten John somehow, too?
I'm familiar with canon and with the Jeremy Brett series, and that's where my belief in "Johnlock" comes from. Holmes and Irene's contact is minimal in canon, but she's a cool character. (There is one "biographer" that theorizes that Holmes and Irene hooked up during his Hiatus...everyone forgot that she got married in the story where she appeared.) If my only knowledge of Sherlock Holmes were this series, perhaps I would be either a Sherene-er, or a Moll-ock-er.
As some fans have mentioned, I could defintely see Irene offering Sherlock a "reward" after he saved her...but I would more see him calling in the favor by having her help him fake his death, or hide out.
A Scandal In Belgravia » What is it with Sherlock and Irene? » February 15, 2014 8:44 pm |
After watching HLV I was more confused by Sherlock's attitude to Irene...aren't there similarities between her MO and that of CAM (who Sherlock very much depises?)
He doesn't always hate his antagonists in an emotional way, granted. He solves crimes for fun; he's not always necessarily driven by moral outrage or "this person's doing a terrible thing and must be stopped."
But with CAM, he is. And he says it's because CAM "picks on people who are different." There's a similarity with Irene...she puts people in embarassing situations by playing on their...different tastes.
Plus, didn't she actually hurt or kill people, or at least threaten John? She may have killed the woman whose body was mistaken for hers. At the very least, she was in league with someone who strapped a bomb to John?
I've said that what bothers me most about the whole Mary situation is John continuing to love someone who hurt Sherlock...but I guess it went both ways.
I think the saving Irene could have actually been a form of winning: a final proof of his superiority. Or, he couldn't be smarter than her, so he had be better morally. Or, he saw the advantage of having someone so clever alive and indebted to him.
The HOW he saves her is more problematic...he shows up at just the right moment, without anyone from London knowing where he is...and he has only a sword of some kind. That was one of his more super-hero like moments.
In canon, we also have Holmes admiring Irene and hating Milverton...he definitely hates Milverton and what he says implies that he haes blackmail in general (Johnlockers, of course, love to theorize that Milverton is blackmailing Holmes over a gay love affair, which would have been illegal at the time. And some fans believe that Holmes really did kill Milverton and Watson's story is a cover-up. Holmes certainly regards the killing of Milverton as justified.)
But it's less of a contradiction because Irene by the end seems NOT to be a bad person. Although she supposedly
His Last Vow » In defence of Dr Watson » February 15, 2014 8:20 pm |
Willow wrote:
Incidentally, at the beginning of the season Sherlock has just been extracted from a lengthy and very dangerous mission; John, who has PTSD, really should realise that people in those circumstances have difficulties in adjusting back into normal life. This is, after all, his own justification for the psychosomatic limp he possessed when we first met him....
Yes, and we still haven't heard much about Sherlock's mission during the Hiatus, and whether he's traumatized by it. We saw what he went through after being shot, but it was all related to that shooting. I don't think we've seen trauma symptoms or memories connected to the mission?
What bothered me was at the moment when Mary was responsible for Sherlock's condition and near-death, John screamed at Sherlock as though it was Sherlock's fault that he (John) had ended up with a former assassin. And I think Mary would have been better off letting Sherlock help her. Her putting him out of action gave CAM time for more dirty work (Lord Smallwood is dead by Christmas.)
It would make sense for him to still be mad at Sherlock over the faked death...in that regard part of the problem is that we had TSoT in between the two episodes, with a much lighter tone to their relationship. So when John's anger surfaces again in HLV, it seems out of the blue, disconnected from the original source.
The Sign of Three » The wedding guests » February 15, 2014 8:11 pm |
And it struck me that John invited the "Sherlock entourage" people (Molly, Mrs. Hudson, Lestrade, Mycroft). Now, granted he had a relationship with Mrs. Hudson, too, and working at St. Bart's he may genuinely like Molly in his own right. Lestrade I'm less sure about since John, as a doctor, probably wouldn't know Lestrade very well if he wasn't involved in Sherlock's crime-solving.
But John and Mycroft are hardly chummy. So his being invited sort of plays to the theme that it was Sherlock's wedding, too. Or in a more platonic sense, it's kind of like, "If he's Sherlock's brother, he's my family."
Yes, I would say the "last lost" Sherlock referred to was his own "death." I guess it's POSSIBLE the "John's friends hate him" thing was Sherlock's misguided attempt to be funny in the way guy friends are funny about each other.
Character Analysis » What Dr. Watson should be or not be... » February 15, 2014 3:15 am |
Perhaps because the characterization of Watson is less thorough in canon than the characterization of Holmes, there have been many different Watsons:
- in canon, Watson is very much a follower, EXCEPT where medical matters are concerned: he takes stands about Holmes taking better care of his own health - and he (Watson) will drop everything to be with Holmes, especially when Holmes is depressed or ill. This Watson also declares that it was worth getting shot to see Holmes' concern.
- sometimes he's a bumbler or an idiot (mostly in the Basil Rathbone films)
- many pastiches have him very conventional while Holmes is progressive (sometimes Holmes will rant about how women commit crimes because they're given nothing productive to do)
- in the Jeremy Brett series, Edward Hardwicke is Watson takes care of Holmes like a doctor, or dare I say, a spouse, but he can be very assertive, trying his own deductions and calling Holmes out on some of his stupider moves (like Holmes experiment with the Devil's Foot chemical). That Watson showed a little hurt over the Reichenbach Falls deception, but mostly joy that Holmes was back. And he never married!
- Fan fics often have Holmes kind of swooning over Watson - for his bravery, but also his decency and gallantness - so we get an idealized view.
- I wonder if BBC's John is too much like Sherlock. He doesn't seem to do very well with relationships either, and while he may be more aware of the human consequences of their cases, he is also in it for the excitement, not for justice. He can very angry and even violent (including toward his friends and allies), and he doesn't strike me as particularly caring in a "soft" way.
And then someone else wrote that he deals with emotions by repressing them...that's like Sherlock.
I have never seen an adaptation where Holmes and Watson fight as much, or as aggressively, as they do in BBC-Sherlock. In canon, the most violent acts each one does are in the name of protecting each other. Hol