Well I think the whole thing with John is that we don't know. Pretty much everything said in relation to his sexuality is almost zen, nothing is ever said clearly, things can always be taken two ways and my sense is that that is because he is working through it, probably a lot more than he realises, certainly more than he is willing to admit. The writers convey this unsettled sense very well, of "what the hell are these feelings, I'm a normal guy" that are pretty familiar, I'd say, to a lot of people who have grown up not-straight at least pre mass-internet and under our Section 28 (so anyone over about 25)
So when she says "he" (John) "knows exactly where to look,", it is meant to be ambiguous. She says at one point that Moriaty has told her how to play the Holmes brothers-presumably he also told her how to play John. But she plays people by knowing them well and knowing their weaknesses. I don't get the impression that she ever lies-therein is her genius
My own sense is that John's actual problem more than anything is that the feelings he has for Sherlock, as a fundementally straight man, are actually not ones he has any experience of, that fit into anything he understands, that is reflected in his reality. So John's feelings may very well not be sexual but without an context for him to pin them to they are hard for him to understand. I know not everyone agrees, but I'd consider strong same-sex friendship-I mean to the point where your world ends because your best friend dies, where the last thing you want to look at is each other...well that might not be sexual, but, that is a freaking strong feeling there. Yk, not all gay relationships are about sex, just like not all straight relationships are all about the sex, and I think this is part of the ambiguity, that you often get in media representations of gay relationships, that, unlike straight relationships to be gay you have to have specific and strong sexual feelings whereas for straight relatinships, a strong desire just to be together is enough.. Which is why I see the writers as unwilling to declare either way-they are mimicing that uncertain, that "where the hell do I fit here" feeling, And nowadays, if John just felt straightforward lust, actually that would make sense, albeit he'd be uncomfortable. His reality, of a non-sexual attraction to another man, what I think Gatiss calls "move" is just not reflected anywhere else except occasionally in tv bromance where everyone is raising an eyebrow anyway.
Last edited by beekeeper (March 29, 2013 7:39 pm)