SolarSystem wrote:
Where can I sign this...? This is so true. Although I have to say TAB didn't really leave me lost, I think it's actually pretty good story-telling. But it's almost impossible to not recognize that Moffat basically runs both shows, "Sherlock" and "Doctor Who". I know there is Mark Gatiss for "Sherlock", too, and he probably influenced the ghost story in TAB very much. Incidentally, I neither liked the ghost story aspect of TAB very much, nor do I particularly like the ghost storeis he wrote for DW. But this is really getting off topic, I guess.
Being an American with access to our major networks, I have a few American prime time dramas that I'm currently following from week to week. These are shows with about 22 new episodes each calendar year, and each one is around 40 minutes of story-telling time. So the shows I regularly follow are way more prolific than Sherlock-- they have way more time to fill and also time to develop the major characters' lives and those of the supporting cast.
I think I'm more used to the story-telling style I find in those shows than in this (what seems like) deliberate oh-so-clever, let's-wow-them-with-our-inventiveness-so-the-internet-will-go-crazy-for-months-fighting-over-it thing that has been happening around Sherlock at least since S3 aired.
It's extremely possible that (to use a saying that my husband and I often speak of when we watch something on TV these days) "this was not aimed at me." I don't know who Sherlock is "aimed at" but maybe this style of story-telling skews more to a younger male audience? Or a younger audience in general.
I love to read, have done a bit of short story writing myself, I love a good character-driven story, and IMO if you have characters that people can latch on to and get invested in, you don't need to get impossibly clever with what you write them to get up to. The story will stand as a strong one, if you just give them something interesting to do and say without resorting to whatever-that-is that Sherlock is currently getting up to (descriptive words fail me). I even really enjoy science fiction, so it's not like everything I see and read has to be based in reality, either. Write it so I can believe it, and I'll follow an author most anywhere he or she wants to take me. But if I can't believe it, then... I fail to be entertained anymore. IMO it's the author or screenwriter's JOB to make me believe it.
All just my two cents marked down from five, my opinions only, of course, offered for the purposes of discussion. Not trying to persuade anyone of anything, for sure.