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Anyone else get all goosebumpy about how "Irene's Theme" begins as an exact inversion of Sherlock's theme music?
Or want to do a full analysis of when the orchestration is fully acoustic vs. when synthesized/digital sounds are brought in to dominate? (This one is bugging me, I can't figure out a pattern yet...outdoors and more people-y stuff is more stringy/hammered strings; indoor and suspense will default more to percussion. The computerized music comes in at odd places...)
Any other musicgeeky thoughts about how this marvellous work is put together?