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Because we could all be outraged about all sorts and I don't see the point...
I've made it clear when I've been less than pleased about an insinuation of homophobia or having my post called rubbish and obviously others are free to do the same.
But you know, it is sometimes difficult to make an amusing and clever point, without offending someone.
Surely we don't want to be like robots, all trotting out the same platitudes?
I am sometimes aware I am just repeating the same point, but I actually feel quite oppressed to say something in a more entertaining way, cos I can virtually guarantee somebody will accuse me of something! Though simply not flying off the handle and asking for clarification does work. Just as well I don't require apologies! Though I readily offer them, where required.
It is possible for people to be over sensitive too and for me, it just sanitises a debate forum.
Presumably people have had different experiences of discussion forums than me.
Also, on the point of free speech: as long as you are not directly attacking a named individual and certainly not threatening them, I feel as intelligent adults, we should all be able to cope.
Now many of us carry various baggage, but perhaps this is something we have to deal with.
All kinds of people have left, all kinds of people don't like posting for various reasons.
The rule of free speech is designed to protect all and works, for me at least.
Last edited by besleybean (August 22, 2016 6:17 am)
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So I could say "Everybody who likes Mary is a weirdo" because I don't name a person? That is just wrong.
If you are still mad at somebody for calling your post rubbish, write them a pm. Get it solved. Don't let your bitternes about that influence your posts here.
And please tell me, you personally, do you really think that comparing somebody to Moon Landing Deniers is not insulting? Maybe again, our idea of "insults" is different.
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I'd like to ask this: why are the show creators exempt from criticism?
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I am trying to be as clear as possible...
To a certain extent, it is as we've said: attack the argument, not the individual.
But also.
For instance:
That is why, for example, some of us would be prepared to fight to the death, against for example, a blasphemy law.
Because sometimes you just have to be allowed to say what your really believe, knowing it will offend a lot of people.
This, for me, is the price of democracy.
I just want to be totally honest and up front as I have absolutely nothing to hide.
But in here I don't feel I can say what I really believe, because somebody will be offended by it.
It's is very difficult to constantly sugar the pill,
For me, if somebody made a generalised, controversial statement I didn't agree with: I would just counter it.
I wouldn't for instance, report the post or contact a member of staff.. I would deal with it myself,, but maybe that's me.
Raven: one could ask, is anybody above criticism?!
Last edited by besleybean (August 22, 2016 6:30 am)
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Comparing a group of people is not an arguement, it's an insult. I DID answer the post, as well as contact JD personally to solve things but they decided not to answer. Comparing a group of people to lunatics has nothing to do with freedom of speech, it is a matter of lacking respect.
You know I am not one for sugar coating but that crossed a mind. And everybody agreeing with JP's opinion on Johnlock seems to think it is okay to do so. That is far from treating everybody the same.
But if you feel that to be fair, so be it. Then we are having different ideas of Fairness as well.
Btw, I never felt insulted by any if your posts, even though I disagree with you very often. That's why I was so surprised that you did not mind the insult from that post.
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I think it's fine to criticise the creators (although I'd prefer that it didn't get nasty or personal).
I do think everybody should be considerate and not attack individuals or groups of individuals here. But I can see how the problem has arisen with this particular thing - TJLC (The Johnlock Conspiracy), has "conspiracy" right there in the name. It seems to be setting itself up as a conspiracy theory, and proud of the fact! So comparing it to another conspiracy theory, isn't really an insult. I think it probably isn't the best thing to do, as conspiracy theories you don't believe in tend to sound far-fetched (until the occasional one turns out to be true!), but I think the comparism arises because TJLC is set up and named as a conspiracy (however humorous the original intention). I know the subject of conspiracy theories has come up before, for this reason.
I do think it's best to avoid the subject of conspiracy theories (I'm definitely not trying to fan any flames here! Just to explain how I see it).
Last edited by Liberty (August 22, 2016 9:13 am)
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RavenMorganLeigh wrote:
I'd like to ask this: why are the show creators exempt from criticism?
I'm sure you already know this, but let me just remind you: Because it is their show and they can do with it whatever they like, and if you don't like what they're doing with it you can always stop watching it or write your own show.
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JP wrote:
"Hmmm... how could this happen in a show co-written by gay man? Or is he a self-hating gay?"
What about self-irony? He's the man who calls himself Gay-tiss...
Self-irony?
The waterfall scene is one of the last scenes of TAB, the highest point in the narrative of that story and its denouement. As such, it gives meaning to all the scenes preceding it.
And yet instead of telling us something about the psychology of the main character in whose head the story takes place, we suddenly have a piece of needless self-irony inserted into such an important moment? Self-irony that doesn´t have any role inside the narrative but is only the kick of the author into his own orientation?
Why would it be inserted here? For me, it does not make sense... to write Victorian detective story paired with contemporary drama and instead of ending it properly, sidestepping the raised up emotional problems of the main protagonist in favour of cheap jokes and mocking the issue that didn´t need mocking in the first place?
No, I don´t think that the scene was mere irony. It makes no sense that way.
Last edited by nakahara (August 22, 2016 9:22 am)
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nakahara wrote:
JP wrote:
"Hmmm... how could this happen in a show co-written by gay man? Or is he a self-hating gay?"
What about self-irony? He's the man who calls himself Gay-tiss...Self-irony?
The waterfall scene is one of the last scenes of TAB, the highest point in the narrative of that story and its denouement. As such, it gives meaning to all the scenes preceding it.
And yet instead of telling us something about the psychology of the main character in whose head the story takes place, we suddenly have a piece of needless self-irony inserted into such an important moment? Self-irony that doesn´t have any role inside the narrative but is only the kick of the author into his own orientation?
Why would it be inserted here? For me, it does not make sense... to write Victorian detective story paired with contemporary drama and instead of ending it properly, sidestepping the raised up emotional problems of the main protagonist in favour of cheap jokes and mocking the issue that didn´t need mocking in the first place?
No, I don´t think that the scene was mere irony. It makes no sense that way.
I agree with you (and am glad to go back to debating Johnlock again). The problem I am having with self-irony as explanation is that you need to know about Gatiss' sexual orientation. Of course we know but I'd guess that the majority of watchers does not. And they should not have to. You cannot write mainstream TV you only understand when being familiar with the creators' personal life.
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besleybean wrote:
I am trying to be as clear as possible...
To a certain extent, it is as we've said: attack the argument, not the individual.
But also.
For instance:
That is why, for example, some of us would be prepared to fight to the death, against for example, a blasphemy law.
Because sometimes you just have to be allowed to say what your really believe, knowing it will offend a lot of people.
This, for me, is the price of democracy.
I just want to be totally honest and up front as I have absolutely nothing to hide.
But in here I don't feel I can say what I really believe, because somebody will be offended by it.
It's is very difficult to constantly sugar the pill,
For me, if somebody made a generalised, controversial statement I didn't agree with: I would just counter it.
I wouldn't for instance, report the post or contact a member of staff.. I would deal with it myself,, but maybe that's me.
I agree that´s how it should be. You should talk about arguments, not about your co-members of the forum.
And so, when I (or anybody else) voice our opinions about the writing on the show or the attitude of the creators towards their fans, people should just correct our "mistaken" opinions, not label us as bashers and accuse us of being bad fans. How is this discussing the argument if you constantly police the others for the vocabulary they use, for the humour they apply, for their outlooks on things?
Yes, as a result, it really creates an atmosphere when people are unable to discuss things in fear of offending someone... and it more and more difficult to speak honestly about the things you believe.
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nakahara wrote:
besleybean wrote:
I am trying to be as clear as possible...
To a certain extent, it is as we've said: attack the argument, not the individual.
But also.
For instance:
That is why, for example, some of us would be prepared to fight to the death, against for example, a blasphemy law.
Because sometimes you just have to be allowed to say what your really believe, knowing it will offend a lot of people.
This, for me, is the price of democracy.
I just want to be totally honest and up front as I have absolutely nothing to hide.
But in here I don't feel I can say what I really believe, because somebody will be offended by it.
It's is very difficult to constantly sugar the pill,
For me, if somebody made a generalised, controversial statement I didn't agree with: I would just counter it.
I wouldn't for instance, report the post or contact a member of staff.. I would deal with it myself,, but maybe that's me.I agree that´s how it should be. You should talk about arguments, not about your co-members of the forum.
And so, when I (or anybody else) voice our opinions about the writing on the show or the attitude of the creators towards their fans, people should just correct our "mistaken" opinions, not label us as bashers and accuse us of being bad fans. How is this discussing the argument if you constantly police the others for the vocabulary they use, for the humour they apply, for their outlooks on things?
Yes, as a result, it really creates an atmosphere when people are unable to discuss things in fear of offending someone... and it more and more difficult to speak honestly about the things you believe.
Thank you, Nakahara! This is what I tried to say earlier, not so effectively, I'm afraid....
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A few more questions. It's very difficult not to get distracted, as some of these questions make very good starting points for extended discussions, I think! But here we go ...
• Why does Sherlock always talk to John even when he’s not there?
He needs John. And I think he sometimes doesn’t think too much about John’s life outside of their relationship. He likes the idea of John always being there, and I think he uses him almost as an imaginary friend to sound off to.
• Why did Sherlock say that sex doesn’t alarm him?
He thinks he’s above all that, but also wants it known that he’s not scared of it.
• Why did Sherlock steal an ashtray for John?
To make him laugh. (I'm not sure if this needs a bigger explanation - it's one of the many questions where I can't understand what it has to do with Johnlock! So if anybody wants to explain, or wants me to go into more detail ....)
• Why did Sherlock only look at Irene’s face when she was fully naked?
He can’t deduce from her clothing and is trying to deduce from her face. However, he does look at her body (he guesses her measurements accurately).
• Why did Irene say ‘somebody loves you, if I had to punch that face, I’d avoid your nose and teeth too’ and look at John?
She has guessed what has happened and is aware of their relationship (although possibly still sussing it out a bit). She is also complimenting Sherlock's looks.
• Why did John get annoyed and say 'I had a tea at the palace too, if anyone’s interested’?
He’s a bit of a gooseberry in that scene with these two “exotic beings” playing games together.
• Why could Sherlock deduce John perfectly but not deduce Irene at all?
Irene is in “disguise”. (Personally, I'm surprised at Sherlock's complete lack of deduction. It could be because it fits the story, or could be to show how much he's thrown by Irene's trick).
• Why did Irene say that she wasn’t sure that Sherlock knew 'where to look’?
At first she wasn’t sure if he was attracted to her/women, (as opposed to John, who knew exactly where to look) but when he guesses her measurements she thinks that he was (he did secretly look at her body, particularly bust, waist and hip area!).
• Why did Sherlock stutter when John flirted with Irene?
Because he saw Irene’s attention being diverted to John, was flustered, and tried to attract her back to him. (Benedict has answered this in the commentary: “I do love the only moment [Sherlock] verbally stumbles – and I sort of did it deliberately – was because [he] sensed a bit of competition in Watson starting to turn on the charm, and in trying to desperately get in there to impress you, I went, [he talks gibberish]. “ (“You” is Lara, Martin isn’t there). From Arianne de Vere.
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If there's nothing else we can all agree on it's that Sherlock and John are each the most important thing in the other's lives.
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tonnaree wrote:
If there's nothing else we can all agree on it's that Sherlock and John are each the most important thing in the other's lives.
This. :-)
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tonnaree wrote:
If there's nothing else we can all agree on it's that Sherlock and John are each the most important thing in the other's lives.
Agreed!
That is why the baby worries me a bit. No matter what John might feel or not feel towards Mary, he is bound to love his daughter above anything else. Where does that leave Sherlock?
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I am very sure that the baby will not remain in the show, one way or other.
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Me too.
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(shudders.)
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tonnaree wrote:
If there's nothing else we can all agree on it's that Sherlock and John are each the most important thing in the other's lives.
Truth!
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SolarSystem wrote:
RavenMorganLeigh wrote:
I'd like to ask this: why are the show creators exempt from criticism?
I'm sure you already know this, but let me just remind you: Because it is their show and they can do with it whatever they like, and if you don't like what they're doing with it you can always stop watching it or write your own show.
So the answer is, either adore Mofftiss blindly or leave? Serious question. I'm actually a professional writer, I have to deal with critique and criticism all the time. If I couldn't handle it, I wouldn't write professionally. In any case, it's often helpful-- that's how you learn. On criticizing certain behaviors/strategies observed, well-- I feel like people are allowed to feel how they feel-- without being told to leave the fandom. I think there's more than one way to be a fan-- and one doesn't have to blindly love a show and pretend not to see any faults of the show and its creators in order to be a "good" fan. Just my thoughts, ;-)
Last edited by RavenMorganLeigh (August 22, 2016 5:00 pm)