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Yeah sorry, maybe it was just me.
I thought a couple of times I'd seen reference to 'tjlc' canon....course I can't see it, now!
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Yes, I'd seen that abbreviation (TJLC) used, but should have elaborated! It was the conspiracy part I was taking issue with. If it was an opposite-sex couple, it wouldn't be hidden and coded, so why should it be just because they are the same sex?
Last edited by Liberty (June 1, 2016 7:15 am)
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Quite so.
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To me, the most damning thing against Johnlock is the Mark Gatiss' interview when he was in India or someplace, and he said it absolutely will not happen, that it "isn't the point" of their adaptation, and that it's "a joke", a homage to TPLoSH they're running with for comedic effect. He said the same thing in an interview for a gay magazine (whose name I forget, sorry). He tends to be a lot more honest with his intentions and less prone to outright lies than Moffat is, which makes his definitive statements here difficult to misinterpret.
Everyone always says "but they always lie!" and yet I haven't actually seen any proof of this statement. There was a list here, somewhere... a compiled list of these "lies" and none of them were actually lies, just half-truths. I have seen, however, that they tell half-truths a lot.
On the other hand, Mark has also said many supportive things, short of outright confirming the possibility. And, even in the interviews that I find damning, one thought still buzzes around my mind: "Only lies have detail". And they sure do both waffle on about it and give very long and detailed answers whenever the subject is raised. Can't spoil the surprise party by saying they're doing a surprise party, after all.
Ultimately, there is so much stacked on both sides, we can't possibly know until the very moment they either do it or don't it. I find myself hopping this fence on an almost daily basis, depending on what I've been reading or what interviews I've been (re)watching. It really is a very ambiguous question, but I do hope for Johnlock to happen for many reasons, not least of which: it would be a much more interesting development than Mary having a baby!
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GimmeCat
[b wrote:On the other hand[/b], Mark has also said many supportive things, short of outright confirming the possibility. And, even in the interviews that I find damning, one thought still buzzes around my mind: "Only lies have detail". And they sure do both waffle on about it and give very long and detailed answers whenever the subject is raised. Can't spoil the surprise party by saying they're doing a surprise party, after all.
This!
You also mentined that you are hoping for Johnlock for several reasons, and I can only chime in there. I would love love love to see it on screen. It is my passion, and thinking about Sherlock and John as a couple makes me feel warm inside. I have not given up hope to see it on screen, and that makes me happy. Why should that be a bad thing?
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It is not a bad thing at all.
But for me, Mark's Mumbai interview rules it out completely.
Where has he ever said it would even be a possibility?
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Hoping to see it on screen is not in any way a bad thing! But I agree about Mark's comments at Mumbai - it doesn't mean that it will never, never happen (he could change his mind), but I do think they are sincere and that he's not lying to hide a plot point. I thought he might be more ambiguous about it whether or not it was going to happen, but he did seem keen to get that point across. And it's kind of supported by other things the actors have said.
I think particularly in that context of gay rights and representation, even if they had been wanting to show it, then they've waited an awful long time too - years in which people haven't had that representation. Even if it happened in S4, it would still be more than six years, I believe, during which time confused teenagers have become adults, and gay rights have moved forwards without them!
I'm also aware of what Mark said in that interview (sorry, don't have the link just at the moment) about the "softly, softly" approach - that he hoped that characters would just happen to gay/in same sex relationships rather than it being a plot point - it seems that that's the way he'd have done it if he had been going to (rather than coding/hiding the relationship).
Last edited by Liberty (June 3, 2016 7:11 am)
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besleybean wrote:
Where has he ever said it would even be a possibility?
Isn't the underlined part of Susi's signature a quote of Mark's words about the show? A show about "romance"?
Anyway, coming from Literature studies, I feel bad about only taking into account what is said about the show. Imagine for example analysing Kafka only by what he said about his work. O.o
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We all know what he said about his work: "Burn it."
As for my signature: it is a quote from foreword to the Sherlock Chronicles, written by Mark Gatiss.
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But in that quote, he's talking very broadly about the making of the show, rather than the plot. Obviously "Sherlock" the show itself, isn't about hair dye and Welsh winters and so on, but the making of it is. I have to rush, but I'll see if I can put the whole quote in later so that you see what I mean. Not that it rules out the "romance" being Johnlock, but that isn't quite the context.
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I have the book on my shelf and I have no idea how the word "romance" should be about filming, in a sentence in which it is paired with loyalty, danger, and risk, all essential elements of the show itself.
For me the whole discussion again and again shows one thing: "The whole is greater than the sum of its parts". (Aristotle)
We have (in my count) 288 pages of arguments and counter-arguments but for me the sheer mass of data from inside and outside the show have convinced me that this is indeed an on-going, still unspoken love story between two men. And so far I have seen nothing on my TV which has managed to convince me otherwise.
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Some people also tend to read words like "romance" and "love" too literally, only hearing the most basic and surface interpretations of the words (how ironic!) rather than their more poetic or Shakesperean meanings.
Something can be described as "romantic" without it having to do with two people coupling in the 'holding hands' kind of way. And love, even platonic love, can and does run very deep. It's not silly at all to love a friend so much you would die (or kill) for them.
So while I think such semantic arguments are hollow, and can't really be used as evidence on their own, I like to judge the show as a whole. Ignoring the little details, what is the overall feel we get from BBC Sherlock? What are the overall themes? And most importantly, how do they choose to present these things to us, the viewer?
That, more than any single detail, is the "smoking gun" to me. They've laid it on very thick indeed. And while I'd accept they really are just going for a story of deep, undying friendship, it doesn't quite make sense that way. I think that if they were trying to make the point that "two people can love eachother in this way and not be in love", a much more effective way to portray that to a general audience would be genderswapping either Sherlock or John, and challenging the heteronormative narrative by saying "look, just because it's a guy & girl doesn't mean they want to bang eachother."
If that's the message they wanted this adaptation to bring, it would've been far more effective at putting that point across. But they didn't. For all the other liberties they took with canon, they conciously chose to stick with this, and then fill the entire show with as many long looks, sulks, jealousy, ambiguity and teasing as they possibly could. Because there's a bloody elephant in the room, and everyone has known it, seen it, for over a hundred years. There'd be no such elephant without them both being guys, because the elephant has as much to do with the subject of sexuality as it does to the longstanding perceptions/reputations of these characters throughout history.
That's my argument for Johnlock. It's not about the little details; those are just for fun. It's all about the original reason for making this adaptation. They told us: they think everyone's been doing it wrong by focusing on the cases and the adventure, when in reality, it's one of the greatest love stories of all time, and that's the ONE place nobody has ever taken it before. Only TPLoSH came close, and it was the spark that inspired all this.
They'll end up together, I think. I mean, they have to. Any other ending would be silly. And while I say here "end up together" and don't necessarily mean "as a couple", it would make a lot of sense if they did fall in love. I mean, imagine it: these two living together platonically for the rest of their lives. Neither of them is ever going to want a romantic partner? Neither of them is going to feel the need for physical relations? So... what, a lifetime of visits from prostitutes? I just don't see it.
Last edited by GimmeCat (June 3, 2016 8:20 am)
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Well said.
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Wonderfully put, GimmeCat.
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Well of course it's fine if we actually watch the interviews.
I stand by my Mumbai comment: it couldn't be any clearer to me.
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Besley! You're secretly Mark trolling us?
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@GimmeCat, I wanted to thank you for your contributions both here and in the "sense without johnlock thread". I really appreciate your thorough look at the topic from all sides. I think it is quite telling that you still have a deep feeling that a love story between those two wonderful characters is somewhere out there. And you put it perfectly: it's all the vibes from the show taken all together, the overall feeling. I agree with that 200%.
(And also with your comment that Mary gets a baby is plain boring...)
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But at least Mary getting a baby actually happens...we think.
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That doesn't rule out it's boring and they can go braver ways.
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I wasn't really concerned with something being boring or brave, just it really happening.