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The rehearsals start today:
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Ready when you are, Mister Cumberbatch.
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And the shoes look great.
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Some more cast information:
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Oooh! *get's all excited*
Can't believe it's under two months away!
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LOLOL
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LMAO!
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Brilliant!
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I love it. (and really, it is awesome timing for the kid to arrive while his next project is right in London. happy for.)
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Very true about the timing, Russell. Of course some idiots are coming with the most hateful stuff again about "how can he go back to work two days after his child was born" and blablabla. Yeah, right, his child will probably starve to death while Benedict is not at home. What's wrong with a man going to work and earning money? And I'm pretty sure the boy is older than only two or three days, I'm sure they kept it quiet for a while before they told the public.
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People have too much time on their hands...
They are in the same town and I bet he's home every night! Give the man a break...
Last edited by This Is The Phantom Lady (June 16, 2015 8:03 am)
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Yeah stupid people out there, I would say that most new fathers have to get back to work after their child is born, except those who are on parental leave. And how long are the reahearsals every day, some hours I reckon. Not from 6 a.m. to 10 p.m. so a storm in a teacup like ususal.
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And last not least it's none of our business how they manage the upbringing.
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Let's be honest: since November only some media but also disappointed "fans" have been trying drag his and Sophie's name through the dirt and continue to do so. They will pounce on anything that can be used as an accusation. It is a sad development but I think the only way to cope with it is ignoring it.
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Amen to that. I avoid the BC tag on tumblr and just get my BC related information through the people I follow.
What really shocked me is that some of these "conspiracy people" are in their 30s or 40s, how sad is that, what went wrong in their lives. I mean intelligent people would go on with their lifes and looking for a new hobby ( or man that they'll never get.)
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Yes, I had the same impression. They should invest their energy in something more kind and useful.
Last edited by SusiGo (June 16, 2015 10:51 am)
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FOR SALE:
Three people in my little German Ben group bought some tickets for us for Hamlet. One of them has two tickets for sale now. Please send me a pm if you're interested.
Date: 23.09. / Front Row! The two seats are next to each other.
Is it okay to post that here or would it make sense to open a thread?
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Here's an article that popped up on my Google news today about NT Live broadcast of Hamlet and the new cutting edge technology that is going to be employed to make the experience extra special for cinema goers. Thought others (in the same boat as me) for whom seeing it NT Live form is the only realistic option might be interested in this news...
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Benedict Cumberbatch's 'Hamlet' in Event Cinema first
23 June, 2015 | By Ian Sandwell
Shakespeare adaptation will become the first ever live 4K broadcast to multiple cinemas under Sony, Vue and NT Live partnership.
National Theatre Live, Vue Entertainment and Sony Digital Cinema 4K have unveiled the next two NT Live productions to be captured in Sony 4K.
On Oct 15, Lyndsey Turner’s Hamlet, starring Benedict Cumberbatch in the lead role, will become the world’s first ever multi-site live 4K transmission in selected Vue cinemas across the UK. Hamlet is already the fastest-selling show in London’s theatre history.
Prior to Hamlet, Simon Godwin’s 18th Century comedy The Beaux’ Stratagem will be shot in Sony 4K and delivered for exclusive ‘encore’ screenings across Vue’s 84-site estate in September, after the show’s NT Live broadcast on Sept 3.
Both productions will be captured using Sony F-Series 4K cameras which deliver four times the resolution of Full HD. Hamlet will be transmitted with 4K resolution at 50 frames per second to ensure smooth, realistic reproduction of the action on stage.
Speaking to ScreenDaily, Emma Keith, producer for NT Live, noted that capturing the two productions in 4K will act as “future-proofing”. “To be able to capture it in the best technology possible means that the life on it would be longer than it would be traditionally,” outlines Keith.
”Hamlet felt like a bit of a no-brainer with Cumberbatch starring, while The Beaux’ Stratagem is a period piece so it’s really interesting, from our perspective, to see how the colourful costumes and the intricate set will translate in 4K.”
The two productions mark the next step in a year-long partnership between NT Live, Vue and Sony Digital Cinema, which started in March with the 4K screening of Rufus Norris’ Behind the Beautiful Forevers.
For Johnny Carr, content manager for Vue Entertainment, the partnership continues Vue’s commitment to giving their customers the “very best in choice of content combined with the very best in big screen technology”. “The National Theatre are the biggest out there in terms of Event Cinema given their releases. It’s a fantastic product and to take that one step further by offering it in the best quality possible is super exciting.”
“The National Theatre have proved in the short time that Event Cinema has been playing in cinemas that they are providing top quality content, and the numbers for War Horse, The Audience and others prove that,” enthuses John Bullen, VPF and content manager at Sony Digital Cinema (Europe).
“From a technology perspective, we believe that 4K offers the next step in the evolution of Event Cinema. When done correctly, as we believe we are doing in this partnership, 4K provides a truly immersive viewing experience.”
As well as staying at the forefront of technology, Keith believes that 4K presentation ensures that the National Theatre has an advantage in the ever-more competitive Event Cinema arena.
“What’s fantastic about working with 4K is that we’re at the cutting edge and, particularly in relation to being live at multiple venues, we’re helping to influence and establish the workflow for that model. HD workflow works, so 4K needs to work in the same way. It can’t be that you need ten extra people or another truck,” explains Keith.
Carr notes that the customer feedback to Behind the Beautiful Forevers was “absolutely fantastic” and compares the impact of 4K presentation to “seeing Blu-Ray for the first time”. He adds that with NT Live, “you’re not just getting the best view, you’re getting the best six views with the very best possible presentation, bar none.”
Going forward, Bullen says that there is an aim to increase the number of 4K productions, but The Beaux’ Stratagem and Hamlet are the priority at the moment. “We’ve got two huge challenges coming up and a lot of work that needs to go into them. Post-October, we’ll sit down and see what we do next, but anything we do will have to be as innovative, bright and bold like our first three productions.”
Keith concludes: “Through NT Live and 4K, you get to see things you don’t see in the theatre. This partnership is allowing us to do a little bit of everything with really different shows, from different theatres with different designs. We just want to make sure we’re keeping as wide a range as possible.”
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Sounds intriguing. I am all for making the cinema version of the play more innovative and interesting to those who can't make it to the theatre to see Hamlet with Ben in it. Good for them for trying out new ways to bring the experience closer to actually attending the play.
-Val
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Here is some news about the music for the production.