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Liberty wrote:
I've got to answer this, because it's not true! I have never had any objection to people having their own interpretations of the story. I think we all do that to some extent, and we probably all get something personal from it that's unique to us. I'm all for that!
But there's another point of view, here and elsewhere, that Johnlock IS intended, and that anybody who can't see it is either not clever enough, or refusing to see it. I do disagree with that idea. It's as if, to take your lovely Baudelaire story about the old woman, I had a version of her story, but kept being told mine was ridiculous. And even if the woman herself said it was true, I'd be told she was lying.
I accept that people genuinely do see Johnlock there, and I obviously don't have any problem with that - why would I? To be clear - I'm not debating whether people should see Johnlock (I'm all for people seeing it), but whether that's what's we think is being shown.
Anyway, maybe The Private Life of Sherlock Holmes is less controversial - what do people see there? I think Holmes comes across as probably gay, but Watson seems to be straight - he seems to be genuinely interested in the female ballet dancers. I've wondered if he's in denial (also possible), or closeted (also possible - particularly considering the way he rants about the consequences of being thought gay). But there's something about his apparent sureness about his own sexuality, and his assumption that Holmes is the same that makes me think he's genuinely thought they were both straight. I think if he had fallen for Holmes in that way, he'd be bound to have questioned their sexuality before, and it looks like he hasn't.
On the other hand, this issue doesn't seem to be unfamiliar to Holmes, which makes me think that he has thought about their sexuality, and that he's probably gay.
What's interesting is that Holmes does kind of fall for a woman in the film too, and there are some parallels with ASIB, but I don't see the loaded interaction that I see between Sherlock and Irene (which may have been Benedict more than the writing, but still - it's there). And he doesn't save her in the end (I do wonder if Moftiss found that very sad, and "corrected" it in ASIB?).
Anyway, I think the "desparately unspoken" part is about Holmes - it's clear that he can't tell Watson what he feels.
Liberty, I was not speaking about you. I too was speaking more about people I see on the internet whose only goal seems to subsit of denying me my the right to interpret the story my way. As you see in my original post, I said that it´s absolutely allright if people do not see Johnlock in the show. I also said elsewhere that Johnlock is not a religion, it´s something people belive for their own enjoyment. I therefore do not understand where is the problem.
But if somebody calls me delusional because I like to interpret story some way, I cease to see similar tolerance in it.
I believe the point of Baudelaire´s story was, that even if the woman told him her true life story, it´s his fiction about her what helped him to live. That doesn´t mean he would be deriding her - only that her actual reality is not that important for him, because that was not what helped him to go on during his dark nights and days.
The Private Life of Sherlock Holmes seems to be an interesting movie and I plan to see it as soon as possible, but because I have not seen it yet, I cannot really make any educated comment on it.
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Liberty wrote:
Well, there is the writing too - Mycroft sees that it was Sherlock's feelings for Irene that led him to that fatal mistake. But I wasn't really talking about that, but Private Life. How do you think it compares? What do you think of the Holmes/Watson relationship there?
It's been ages since I've seen Wilder's film and I don't really recall all that much about it. And I was replying to what you said about ASiB - and even if you mainly talked about Private Life, you did mention ASiB after all.
As for Mycroft and what he says he sees between Sherlock and Irene: The thing is that I don't see it. I don't see it on screen. So I have to come to the conclusion that Mycroft is talking about something that I just don't see. It's a bit like when John says to Mary that she's the best thing that possibly could have happened to him: I hear the words but I don't see nor believe it.
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Thanks, Nakahara. And I do understand - that's kind of what I meant by us all getting something from it. The wonderful love and friendship I saw between John and Sherlock inspired me to reconnect with somebody who means an awful lot to me, and I'm so glad I did. That version of the story means something special to me.
Private Life is pretty good, although I understand the final version is very much cut down from the what was originally intended. It's a unique portrayal of Sherlock Holmes - in some ways, he's barely recognisable, but I do like it. Although it's quite different to "Sherlock", there are a lot of references and parallels. It feels quite emotionally driven too, which is very like Sherlock.
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@ Solar, it's not just Mycroft - John sees it too, and makes the comment about baby names.
Spoiler for those who haven't seen Private Life - I just realised I'm giving away a major, major plot point!
Anyway, if I remember correctly, when Holmes in Private LIfe hears of the death, he stands at the window and looks out - I thought the scene at the end of ASIB was a direct parallel, but with some obvious differences. And there were other parallels too, like Gabrielle appearing naked at one point (although not the introduction)
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Which to me proves that John is jealous.
But it is a fact that Billy Wilder himself said that he originally wanted to make Holmes openly gay and did not dare at the time. And Mark regards Holmes as being in love with Watson and the love is desperately unspoken. So we might have not only one parallel between ASIB and TPLOSH (attraction of some sort to a woman, not necessarily sexual) but two (attraction to a man, i.e. John Watson).
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Liberty wrote:
Private Life is pretty good, although I understand the final version is very much cut down from the what was originally intended. It's a unique portrayal of Sherlock Holmes - in some ways, he's barely recognisable, but I do like it. Although it's quite different to "Sherlock", there are a lot of references and parallels. It feels quite emotionally driven too, which is very like Sherlock.
Is there any chance to see uncut version of this movie somewhere? It sounds intriguing.
I also saw some parallels between Private Life of SH and BBC Sherlock pointed out on the internet, so it definitely did influence Sherlock in some ways. But that´s hard to judge untill I´ve seen the movie.
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Nakahara, as far as I know the full version has never been filmed. But here is the script as originally drafted including that parts that were not filmed/did not make it into the film:
,_The_-_Roadshow_Version.pdf
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SusiGo wrote:
Nakahara, as far as I know the full version has never been filmed. But here is the script as originally drafted including that parts that were not filmed/did not make it into the film:
,_The_-_Roadshow_Version.pdf
Oh, what a pity. But thanks for the script, I am really curious what was left out of the realised movie.
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Johnlock confuses me. Because when Moftiss say that they don't intend to make them more than friends, I believe that. When Ben and Martin says the same, and that is how they play them, I believe them. I honestly, to the core, don't believe it will ever happen. (But will open a bottle of champagne if it does).
I also think that the majority of analysis for Johnlock can easily be explained just as much by the two of them being close friends and nothing more. WIth emphasis on "the majority". Because even though I do have a sober approach to this, and I do believe what Moftiss and Ben/Martin say about this, every now and then a scene comes up that I find really, really hard to explain in any other way than Johnlock.
And John's jealousy in ASiB is one of them. It makes NO sense, no sense whatsoever, that a friend would act out of nothing but petty jealousy to see his friend flirting with a woman. No sense at all.
I don't view that scene as "proof" Johnlock will happen. I just don't get why they put it in there. I don't get why they all stand on the rooftops shouting JOHNLOCK WILL NOT HAPPEN when they constantly shower the series with scenes like that.
Last edited by Vhanja (January 26, 2015 9:54 am)
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nakahara wrote:
SusiGo wrote:
Nakahara, as far as I know the full version has never been filmed. But here is the script as originally drafted including that parts that were not filmed/did not make it into the film:
,_The_-_Roadshow_Version.pdfOh, what a pity. But thanks for the script, I am really curious what was left out of the realised movie.
Can I just say (and believe me, I usually am a huge fan of Wilder's movies) that when I first tried to watch Private Life with my boyfriend, I told him after about 45 minutes to finish watching it without me because I found it to be plain boring. I gave it another try a couple of months later and managed to finish it, but in my opinion it's one of Wilder's weakest works.
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Vhanja wrote:
I don't view that scene as "proof" Johnlock will happen. I just don't get why they put it in there. I don't get why they all stand on the rooftops shouting JOHNLOCK WILL NOT HAPPEN when they constantly shower the series with scenes like that.
This!
Yes, some scenes seem very weird if you don´t have "Johnlock googles" on.
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SolarSystem wrote:
Can I just say (and believe me, I usually am a huge fan of Wilder's movies) that when I first tried to watch Private Life with my boyfriend, I told him after about 45 minutes to finish watching it without me because I found it to be plain boring. I gave it another try a couple of months later and managed to finish it, but in my opinion it's one of Wilder's weakest works.
Until now, I saw just some snippets of scenes that seemed quite funny to me - for example, the dialogue about "Tchaikovski" was pure gold.
But of course, I will see for myself if I make it to the end of the movie.
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Indeed, there are quite a lot of - sometimes small - things that do not make sense without Johnlock. Just think of Sherlock in TEH stroking his upper lip and doing strange things with his mouth when talking about John's moustache, followed by John shaving and Sherlock commenting on liking his doctors clean shaven.
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Vhanja wrote:
Johnlock confuses me. Because when Moftiss say that they don't intend to make them more than friends, I believe that. When Ben and Martin says the same, and that is how they play them, I believe them. I honestly, to the core, don't believe it will ever happen. (But will open a bottle of champagne if it does).
I also think that the majority of analysis for Johnlock can easily be explained just as much by the two of them being close friends and nothing more. WIth emphasis on "the majority". Because even though I do have a sober approach to this, and I do believe what Moftiss and Ben/Martin say about this, every now and then a scene comes up that I find really, really hard to explain in any other way than Johnlock.
And John's jealousy in ASiB is one of them. It makes NO sense, no sense whatsoever, that a friend would act out of nothing but petty jealousy to see his friend flirting with a woman. No sense at all.
I don't view that scene as "proof" Johnlock will happen. I just don't get why they put it in there. I don't get why they all stand on the rooftops shouting JOHNLOCK WILL NOT HAPPEN when they constantly shower the series with scenes like that.
Vhanja, I absolutely agree with your post. I am mostly a non-Johnlocker (with little exceptions for fun ;P), and yet there are some scenes in which I feel the Johnlock-interpretation to be the most probable or natural one. I have my theories about why they put them there - mainly to screw with people´s heads keep people guessing and to allude to TPLoSH and the ever ongoing speculations about their relationship. But I might be wrong and they were all put in as build-up to an enormous and surprising plot-twist..
Last edited by Zatoichi (January 26, 2015 6:35 pm)
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Well, if they put the scenes in there deliberately, they really can't fault the fandom for speculating, can they?
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I guess this is the reason this thread exists at all. The scenes are in there. We do not make this up.
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We must believe the evidence of our own eyes.
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Reminds me of a quote I came across recently: The first lesson about trusting your senses is: don´t.
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That´s very fitting for BBC Sherlock, I think.
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SolarSystem wrote:
nakahara wrote:
SusiGo wrote:
Nakahara, as far as I know the full version has never been filmed. But here is the script as originally drafted including that parts that were not filmed/did not make it into the film:
,_The_-_Roadshow_Version.pdfOh, what a pity. But thanks for the script, I am really curious what was left out of the realised movie.
Can I just say (and believe me, I usually am a huge fan of Wilder's movies) that when I first tried to watch Private Life with my boyfriend, I told him after about 45 minutes to finish watching it without me because I found it to be plain boring. I gave it another try a couple of months later and managed to finish it, but in my opinion it's one of Wilder's weakest works.
Considering some of his other works, that could still be high praise (also a fan!) . I think that it has a slightly odd structure, due to leaving bits out. And the plot is sometimes a bit silly. But I genuinely enjoyed it - didn't find it hard to watch at all.
Thanks for the link, Susi! I'd read about the deleted bits, but haven't seen the actual script.