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It don't know if it's a nod - I think the phrase "desparately unspoken" is their description of the film, rather than a quote from it.
I think the scene Mark quotes (in TPLOSH) implies a Holmes who knows he is gay (but is closeted), and a Watson who, if he is, is in denial. Which I know is how some of you see the characters in Sherlock too. The conversation is after Holmes has pretended that they are a gay couple - now that bit is missing from HLV, and I suppose it's more poignant that Holmes would be shot down for pretending something that he wants .... I can see how "desparately unspoken" fits will there.
In S3 there's quite a lot of speaking (for them!) - the bomb in TEH, the wedding, etc. We talked about this a bit over in the other thread - "I love you" seems obvious, but it would be rather banal, especially after it has already been said, and probably wouldn't move things any further. A confession of sexuality (I tried to word something like "I'm gay and in love with you" but I'm not a writer so can't think of a more eloquent way to put it!) could have happened earlier and would be accepted by modern day John.
So I don't think that particular scene is a nod to the scene in TPLOSH, except by a stretch Although I'm sure there are lots of other nods there (Mark has mentioned people assuming they're a couple, etc.).
I wonder if the restaurant scene in ASIP would be closer? It's the only scene I can think of where they talk about their sexuality (as they do in TPLOSH).
Last edited by Liberty (December 25, 2014 8:06 am)
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This is a bit late, but Nakahara posted this over on the Johnlock thread and I thought it was such a great illustration of making jealousy obvious - we'd talked about the scene between John and Janine and how Moftiss had said clearly that they refilmed to make John less jealous, and we talked about how John could have appeared more jealous ... well, here it is . (Not John, but Sherlock, but I think Benedict does a great job here, even without the writing to back it up). (Although, in my case, I don't think the jealousy is sexual here, as Sholto isn't presented as a lover - it seems to be about him having had a similar position to Sherlock in John's life. I suppose he was a kind of trial run!)
nakahara wrote:
Sherlock is definitely into Irene Adler, oh yeah!
Another point about what the writers/actors say - I feel that it's talked about here as if what they say is at odds with what we see on screen. But often it isn't. I don't see John and Sherlock being sexually attracted on screen - I know some of you do - but for me, I don't have to choose between the writers/actors views and what I see. They coincide. (That isn't the case for everything they say, so I'm in the same position as you with some other aspects).
I've been thinking a lot about the Guardian article Susigo posted about the "gay jokes" being a reference to The Private Life of Sherlock Holmes and what that meant. I think they do highlight the difference in reactions between now and then - Watson in Private Life was worried about public disgrace, losing his army pension, etc. if they were thought to be a gay couple. There was a genuine risk. Whereas now, it's just not an issue, and the scenes reflect that.
In Private Life, Watson establishes that being gay is not acceptable to him for this reason, and almost pleads with Holmes to reassure him that he isn't (which Holmes won't do). There's no similar scene in BBC Sherlock, but there is the restaurant scene in ASIP, where John makes it clear from the beginning that being gay IS acceptable (and again, Sherlock doesn't enlighten him either way!). After that, there couldn't be a scene like the one in Private Life, because they've both established their views on homosexuality. And later, if Sherlock wanted to pretend he and John were a gay couple for a case, it wouldn't be a problem - people tend to think they are anyway (John's protestations seem to be about the inaccuracy, rather than any fear of disgrace, etc. - and Sherlock sees that too in the restaurant scene). The restaurant scene in ASIP kind of precludes the (matching?) Private Life scene - so it looks as if they made the decision not to replicate that quite early on.
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It's great that we can at least agree on that one, jealousy in this scene.
But actually I'm not sure if we can compare those two scenes tbh, as Martin and Benedict could not be more different in looks, acting and the personality of their characters. And furthermore I put a couple of screenshots in here to show Johns face in close ups, we just don't agree on them.
As to the comments, well, of course we talk about it and it can be at odds. It's great and life is easier for every fan if it coincidences but that's just not how it works for everybody.
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As I wrote in the other thread, this scene is written and acted as pure jealousy. It is more or less flat out stated in the scene itself. I also think the jealousy comes from Sherlock for the first time seeing John having a close friendship with another unsociable and reclusive man. I still find it endearing.
There is also a hint of jealousy from John to Irene and Sherlock, something I struggle a bit more with understanding.
"Hamish. John Hamish Watson. Just... if you're looking for baby names."
Why would he mind if Sherlock seemed attracted to a woman?
Last edited by Vhanja (December 30, 2014 10:56 am)
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Yes there is Sherlock's acknowledged jealousy of John having a friend other than him...
But I don't really see John being jealous about Irene, I just think he sees an attraction between Sherlock and Irene...
Last edited by besleybean (December 30, 2014 11:01 am)
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I think there's an element of feeling excluded in that scene with Irene, while those two are openly appreciating each other as if he isn't in the room! (Have you ever played gooseberry while your friend and his/her potential lover only have eyes for each other? It's not fun ). And also just that he's the one who goes for women whereas Sherlock is apparently different - I think it's a little galling to see Sherlock getting the attention and "flirting" back (I think there's also a little bit of that in the first scene with Irene too - but it goes more the other way - Sherlock trying to focus Irene's attention on him rather than John). But generally, John is quite understanding about Sherlock's relationship with Irene and worries about his feelings for her in a concerned way - it's just the flaunting in front of him that he objects to, I think.
I agree about the scene with Sholto, Vhanja. I think Sherlock almost seems a little childlike. It's one of the scenes where he seems to be behind in some aspects of his emotional development, maybe. Anyway, John is HIS first - I think he's never had a relationship like that before.
Last edited by Liberty (December 30, 2014 11:10 am)
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To be honest, I find both Sherlock and John a bit petty when it comes to Irene. Why can't John be allowed to talk to her and have her attention for a while? Why can't Sherlock figure out this possible attraction without John butting in? It makes no sense.
And, yes, Liberty, I agree. He IS like a child a lot of times when it comes to emotions.
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Not quite sure where to put this, but this made me laugh:
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Vhanja wrote:
To be honest, I find both Sherlock and John a bit petty when it comes to Irene. Why can't John be allowed to talk to her and have her attention for a while? Why can't Sherlock figure out this possible attraction without John butting in? It makes no sense.
And, yes, Liberty, I agree. He IS like a child a lot of times when it comes to emotions.
Well, it makes sense if they are both jealous. As easy as that.
And coming back to the baby name scene. Please remember TSoT showing us how much effort John put in keeping his second name a secret? And then blabbing it out when the looks between Sherlock and Irene become a bit heated? This is not even subtle.
And then there is Sherlock quickly closing his laptop where he has researched Sholto the moment John walks in. Reminded me of a guilty teenager looking up sexy things on the net.
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John is hinting that Sherlock and Irene are going to end up producing a child together, who John would like named after him.
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besleybean wrote:
John is hinting that Sherlock and Irene are going to end up producing a child together, who John would like named after him.
Well, yes, that is what he does. The question is why he does it. If a friend of mine had started flirting with someone else, I would stay firmly out of the way and let them figure it out on their own.
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You do realise that jealousy does answer all these questions, do you? And I suppose you do not count the text messages your friends receive either.
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SusiGo wrote:
And I suppose you do not count the text messages your friends receive either.
That one has actually crossed the fine line from jealousy to obsession.
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John is only an interested party, that's all.
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It's one mate teasing the other mate about his bird texting him all the time.
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But when he suspects Sherlock does have feelings for Irene, John is concerned, not jealous. I think John comes out very well in this episode.
After all, if he did have those sort of feeling towards Sherlock, it would be beyond creepy for him to act openly jealous here. He blatantly dates other women in front of Sherlock, and the first time Sherlock shows a flicker of interest he is possessive?
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That is true, he seems more concerned than jealous. Of course, dating infront of Sherlock means having his dates humiliated and leaving him, of course.
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Yes interesting that the only woman who stays around, comes on the scene when Sherlock is away...but then they like each other!
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Vhanja wrote:
Not quite sure where to put this, but this made me laugh:
Thank you, Vhanja, that was quite interesting. It shows that Benedict really does contradict himself when speaking about Sherlock (in a striking manner) and also, as the people discussing this post pointed out, is not aware of a difference between asexuality and a celibacy.
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I don't really expect him to be an expert, he doesn't really consider Sherlock to be either.