I find that A Study in Pink and Charles Augustus Milverton share some parallels with each other towards the end when talking about the culprit'. In the story it is Lestrade who is giving the features of the doer to SH, and in the series it's Sherlock to Lestrade, and on both these occasion they are talking about John Watson.
On both these occasions John's intention is good. In the show he has shot the cabbie to save Sherlock's life, and in the story he has accompanied SH much to latter's objection, to avoid SH's possible "detection, the capture, the honoured career ending in irreparable failure and disgrace."
While in the story SH dismisses Lestrade's theory about the culprit saying that the same features can be applicable to Watson as well (it's understandable if poor Watson's heart skips a beat!) - What a rascal he is!
In the show Sherlock is about to give John away unwittingly but when he realises it's John he's talking about, he immediately tries to divert the subject - Here we find Sherlock's emotional side. A very touching scene as well.
What if Sherlock said, “That’s rather vague, why, it might be a description of Watson!”? Would the beauty of this particular scene be lost?
And what if SH didn't say those words in the story? Sure the whole charm of that scene would be lost.
And what of Lestrade? As far as the story is concerned there is some speculation among scholars that Lestrade had his own suspicion about the duo. May be he's fond of them and keep mum about his own suspicions. Though on both these occasions Lestrade appears to be a bit dumb, isn't it possible that Lestrade in the show has realised, after getting some clear cut clues from Sherlock, the shooter is John himself?
Last edited by holmes23 (August 17, 2013 5:36 pm)