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I don't find it boring at all. To me it would make less sense for John to have a wife that we suddenly don't see at all.
An odd example, but it's always annoyed me in movies and tv-series where people go to a cafe, order a cup of coffee or some food, have their dialogue and then just leave without touching their drink/food. It's just stupid writing. I like realism.
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I basically agree with you, Zatoichi, although I am not sure that this is where they will be going in the long run. They have also said more than once that they see the relationship of Sherlock and John at the core of the show, exactly as it was in Canon. I do not mind introducing other characters and developing the existing ones. And I like how Molly and Mrs Hudson are used to reflect and explain various things about the main characters. But I really do not expect them to go for trio of crime solving psycho/socio- or whatever paths in the long run.
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1) true, because the logic flaws of HLV bend to the goal that we are supposed to like her as part of the family. And at the end she's pretty much out of trouble without having done anything for it.
2) true at the episode of HLV, she's pretty much around and the threesome is further fixed.
3) true, because in more than one scene she is shown as smarter than the men ( the napkin scene, the number of Sholto's room, accompanying John to the drug den).
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As for realism - here is an interesting quote on the subject of genre I read today:
I think what this comes down to, ultimately, is genre. Which is an interesting thing to talk about in relation to Sherlock, because I think it has a massive effect on the audience’s ability to understand and consume the show to its fullest. For example, it really annoys me how much criticism of the show I’ve seen essentially treats it as a crime procedural drama like, say, Law and Order. Sherlock isn’t even remotely that kind of story. Procedurals generally attempt a sort of psychological realism, with ‘realistic’ consequences for behavior, etc. Sherlock, on the other hand, is a mystery show with noir and romantic elements and a heroic arc, which is a completely different beast. Just so we’re clear, mystery ≠ crime drama. Mysteries like the original Sherlock Holmes, like Poe’s Dupin, like Agatha Christie’s stories, revolve around frankly ridiculous crimes, people, and premises. That’s kinda half the fun.
Last edited by SusiGo (January 7, 2015 11:00 am)
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For me it's the little things. Hard to put in words, but some stuff they can get away with when it comes to being unrealist, some they can't. I mean - what would be the point of introducing a wife to John at all if she was just going to stay home and we never saw her? That wouldn't be any kind of development.
The cases, the mystery, the policework, Sherlock's abilities that borders on magic sometimes - I am fine with all of that being slightly unrealistic. That is what the show is. But I would still be bothered if they ordered a cup of coffee and never drank it, or if John got a wife we never saw.
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Swanpride wrote:
(how dare she!!!!!)
Could we leave the sarcasm aside, please? We have tried to stick to serious discussions and though it got heated always managed in the end over the last days. Thank you.
You talk mainly about the Mary we see in the first two episodes, I talk about the Mary we get to see in HLV, because she's the Mary we get for Hiatus. Her screen time is way more than Molly's or Mrs. Hudson's here, and her case was not involved at the very beginning for example, when she runs after John. But the task is very much set up by the writers that she is someone we have to love. We never had to go to those lengths with the others, so I see her somewhere in between, not really main, not really supporting character. Which leads me to the assumption that she might become more than the other supporting characters. And again, as a fan I'm entitled not to like that dynamic.
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Well, I for one don't want her in the dynamic at all.
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Vhanja wrote:
The cases, the mystery, the policework, Sherlock's abilities that borders on magic sometimes - I am fine with all of that being slightly unrealistic. That is what the show is. But I would still be bothered if they ordered a cup of coffee and never drank it, or if John got a wife we never saw.
To me, it´s an inherent logic established in the fictional world that matters.
For example, unfinished cup of cofee wouldn´t bother me if it was not relevant to the storyline.
But if a character, who until this moment was brilliant and who can immediately deduce that a random guy is "an expectant father" from the mere glance on him, completely misses it that a person who is constantly around him is a trained CIA agent (that means, he becomes completely oblivious and blind where this new character is involved), I percieve it as a flaw and the corruption of laws on which this fictional world was built.
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Vhanja wrote:
Well, I for one don't want her in the dynamic at all.
Can I just say that I totally agree with you on that one...?
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Yeah, he's always missed things. And he didn't miss it because Mary is "better" than him. He missed it because he wanted to like her, because of John. That is confirmed by the writers.
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What does that have to do with being " premature"? What is there in HLV to support, that Mary is not interested in running with them?
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So, nothing about being "premature", thank you.
To quote the writers, Mary can go six months without trouble, not seven.
To quote AA, how cool for the baby to have an assassin mom and an adrenaline addicted dad, nothing to fear.
To quote John's blog, Mary insisted on coming with the men for a case.
So the beginning of HLV doesn't exactly look like an exemption to me.
Edit: forgot to mention that she ran after the men at the wedding.
Last edited by mrshouse (January 7, 2015 11:56 am)
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Swanpride wrote:
Just because Mary is not really the typical housewife it doesn't mean that she needs the thrill of the chase specifically.
And also her past could imply that.
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Swanpride wrote:
It's not like Sherlock didn't miss things before...the Cabbie initially, that John was kidnapped right behind his back, that "Jim from IT" was Moriaty, he was also wrong about the sugar and, above all, he misread Irene Adler. Because his feelings were involved. Him misreading Mary (actually, not misreading her but missing an important detail) fits along the same line.
Sugar was just a working hypothesis that was tried and discarded. Sherlock spent but a mere minutes with a cabbie and maybe a few hours with both Jim and Irene. He spent days and months in Mary´s presence. The imbalance is felt quite strongly here.
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Swanpride wrote:
He looked into Irene's case for months and didn't notice anything..
He did?
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We´ll have to wait and see how the show turns out.. but that they intend to "increase their family" is a direct quote of Mark Gatiss. As is that Mary can´t live for seven months without danger/excitement. It doesn´t necessarily mean that Mary will be part of the crime-solving team, but that she´ll be around and will take part in the story. Then we possibly get the baby, and Wiggins.. not much use to speculate right now, but for me it sounds as if there will be a lot of exceptional characters around.
Edit: Cross-posted with you, mrshouse, I see you already made the same points..
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Swanpride wrote:
He looked into Irene's case for months and didn't notice anything. In Mary's case he doesn't even look beforehand.
But what I´m pointing at is that he wasn´t in Irene´s physical presence for a long time, while he was around Mary quite a lot. And I think that the signs of her physical and mental training and the fact that she is trained in martial arts would show in the way in which she would move, act and speak. If Sherlock doesn´t notice this until the moment Mary shoots him, then the basic law of this show ("Sherlock is a brilliant detective with a keen eye on details from which he can deduce facts") is broken.
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The time frame from the BP to their first meeting is merely a day, he says to Mycroft that he will have the compromising pictures back by " tomorrow night". After that I'm not sure we get hints as to the time frame.
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And to further show how Sherlock´s character was reduced in HLV in favor of Mary, let´s cite the authors of the show (their commentary on HLV):
Steven: “It must be said here: let’s hear it for Mary Morstan. Mary figures out the only thing you can do with Magnussen at this point – just kill him, which Sherlock is gonna take another hour to get to! ‘Okay, I’ll just shoot him in the face.’”
Mark: “Even she’s cleverer than him now!”
Steven: “Everyone’s cleverer than Sherlock!”
Last edited by nakahara (January 7, 2015 12:16 pm)
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nakahara wrote:
If Sherlock doesn´t notice this until the moment Mary shoots him, then the basic law of this show ("Sherlock is a brilliant detective with a keen eye on details from which he can deduce facts") is broken.
I disagree. Sherlock is brilliant, but he isn't omnipotent. Whatever he saw, he dismissed because he wanted to like her - for John's sake. He failed because of sentiment. Sentiment made his brilliance as a deducive detective lessen.