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Well, when she's sitting in the clients' chair at 221B, there is something almost disciplinary about it.
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Perfect summary, Zatoichi.
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Yes, excellent!
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Zatoichi, that's brilliant.
When I read the "I just wanted him to pass out a little" I almost expected her to say at some point "And by the way, mom, I'm a little bit pregnant".
Last edited by SolarSystem (December 13, 2014 10:53 am)
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Well she's very pergnant and currently all parties seem very reconciled.
Last edited by besleybean (December 13, 2014 11:36 am)
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But then I wonder why so many fans do not seem very happy with the outcome of HLV.
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SusiGo wrote:
But then I wonder why so many fans do not seem very happy with the outcome of HLV.
What outcome is it fans aren't happy about?
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I think quite a lot of people feel uncomfortable with the surface reading that Mary is forgiven by Sherlock and John although she never apologised and never gave a plausible explanation for what she did and not once expresses her love for John. That she does not have to do anything but wait and watch and let the others do the emotional work for her. That Sherlock sacrifices his life for the woman who nearly killed him and is sent off to his death and only called back at the very last minute while sitting in a plane with tears in his eyes.
There may be a lot of viewers who believe all this and are fine with it but I know of many who feel differently. And that is why I think that Mary is the true cliffhanger of series 3 and not Moriarty or at least not Moriarty alone.
Last edited by SusiGo (December 13, 2014 11:52 am)
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Exactly. The tarmac scene when John holds hands with Mary feels nothing but plainly wrong for me. She's not on the side of the angels there. And Sherlock is all alone and tries to keep up the facade by joking and making John smile and not suffer.
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How is Mary not on the side of the 'angels'?
Obviously Sherlock is suffering...at that point he thinks he'll never see John again...
But thankfully for all parties, the episode didn't end there.
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SusiGo wrote:
I think quite a lot of people feel uncomfortable with the surface reading that Mary is forgiven by Sherlock and John although she never apologised and never gave a plausible explanation for what she did and not once expresses her love for John. That she does not have to do anything but wait and watch and let the others do the emotional work for her. That Sherlock sacrifices his life for the woman who nearly killed him and is sent off to his death and only called back at the very last minute while sitting in a plane with tears in his eyes.
I don't think he even really gets a thank you from her either, does he? She must know what happened and why - she's very clever. And she possibly even has an inkling that he's going off to probable death on the plane ... she knows a lot more about that world than John does.
We really needed more from her (I mean, if we're going to trust her) in S3. Maybe all will become clear in S4. But we only really get the selected bits of information from Sherlock and Magnussen. She's still a mystery and I feel as if she hasn't told us anything about herself yet.
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I think she doesn't need to apologize anymore because Sherlock and John have forgiven her a long time ago (for the shooting, that is). This is one of those things where Sherlock definitly lets his intellect control his emotions. He doesn't get caught up in anger/hurt/shock of her shooting him, he understands why and thus he is fine with it.
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But since she shot him, Sherlock has gone on to put his life on the line for her - he knew that shooting Magnussen would result in life imprisonment (where he might be killed, it's suggested) or almost certain death on Mycroft's mission. A "thank you" might have been polite .
(Yes, he does it for himself and John and other people as well. But his words are something like "Tell Mary she's safe now" - he makes it clear that she's central. Accepting/forgiving Mary also means accepting her a client - and Sherlock has not only taken her on a client in a way, but has completed her job of killing Magnussen while taking the blame for her.).
Last edited by Liberty (December 13, 2014 1:43 pm)
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Liberty wrote:
But since she shot him, Sherlock has gone on to put his life on the line for her, literally - he knew that shooting Magnussen would result in life imprisonment (where he might be killed, it's suggested) or almost certain death on Mycroft's mission. A "thank you" might have been polite .
I don't think he did it for her, he did it for John.
And she might have thanked him off-camera.
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Vhanja wrote:
I think she doesn't need to apologize anymore because Sherlock and John have forgiven her a long time ago (for the shooting, that is). This is one of those things where Sherlock definitly lets his intellect control his emotions. He doesn't get caught up in anger/hurt/shock of her shooting him, he understands why and thus he is fine with it.
This is what I have the biggest trouble with. It makes no sense whatsoever and the full second half of HLV Mary does exactly nothing to deserve this. And if the Mofftiss leave the storyline at that I'll have very much trouble to keep watching.
And @besleybean, this is why she's not on the side of the angels, she wins on the tarmac, she's not left alone, she has John, but did nothing to achieve it.
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Just yes.
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I think Sherlock still loves Mary and has forgiven her. I think he sacrificed himself for both of them, not just John. But also: he already hated Magnussen with a passion. Quite possibly his disgust just got the better of him.
And whole chunks of the stories happen offscreen, it seems to be part of their style.
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If they wanted all the viewers to understand and forgive Mary I wish they had not shown her in the second half of HLV as they have. Snarky, never remorseful, threatening, ugly. I wish they had given me something to cling on. But the scenes after the shooting give me very much trouble to truly like her, trust her, understand why she must be part of the family now.
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But the Christmas reconciliation is just beautiful.
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mrshouse wrote:
If they wanted all the viewers to understand and forgive Mary I wish they had not shown her in the second half of HLV as they have. Snarky, never remorseful, threatening, ugly.
Interesting how different we interpret things. I saw her primarily as scared and worried and the snark as a reaction to that fear. I thought it was masterfully played.