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John's "I always hear 'Punch me in the face' but it's usually subtext", gave me the idea that it could be fun to find quotes that may be interpreted as containing an actual subtext (deliberately set up by the writers?) - if only in the eye - or ear - of the respective beholder.
One I've always been thinking of matching the topic of this category is:
Obviously, John and Sherlock are talking about the stars and astronomy.
But between the lines I always hear like:
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Very nice, Tobe. And with visual aid as well. I don't have any scientific pics at the moment, but I'll think about it.
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Great, now I'll hear that every time I watch that episode Looks nice!
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Awww...that's so sweet....
You see, when I realised what you were doing, and saw the quote you were using as an example, I automatically filled the end of John's sentence in with the word "sex"....hmm....
I have asked myself why the tea pot scene in TBB in the beginning is relatively long and a bit out of context when I suddenly got the impression that it maybe has a subtext or metaphorical meaning. That's why I put it here. (Move it away, if you want to).
"The great artisans say, the more a tea pot is used, the more beautiful it becomes. The pots are seasoned by repeatedly pouring tea over the surface.
Sometimes you have to look hard at someting to see it's value. Some things are not supposed to sit behind glass; they are made ot be touched, to be handled.
400 years old, and they are letting you make yourself a brew. This one shines a little brighter."
I hear the writers talking about their own approach to ACD Sherlock Holmes. As if the canon Sherlock is the tea pot and our TV series is a kind of brew.
"Sherlock Holmes" is often done as if it can't be touched, handled. It is just reproduced with fog, victorian equipment, hansom cabs... As if the victorian Sherlock was to sit behind glass.
And of course we have to look hard at it. That's what we do here, don't we?
And IMO they have certainly done something that shines a little brighter.
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Wow - what a coincidence, Be! I was just about to write something about that very scene and already had the pictures at the ready.
You put it beautifully and a step further than I had the intention to.
To me, Soo Lin is clearly talking about herself as the tea pots - her obsession - can be identified with herself. But she's also afraid of getting involved in a closer relationship with her colleague - though she might want it.
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Well done, both of you. And I like the ACD comparison very much, intentional or not. Makes a lot of sense.
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And this one:
I always hear: "Please John, interfere, do something - my hands are tied!"
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Hm, I always hear "Um sometimes I hate my job so much"
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The subtext of this one is pretty clear, isn't it?
It's "Let's get lai..." uhm, I mean: "I like you"
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Ok, not seriously, but it somehow suggests a parallel between John/Sherlock and Kate/Irene...
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Now, was this necessary? LOL, great!
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The impression John gets of Sherlock prior to his jump:
...has been thoroughly prepared by Sherlock. John must feel himself confirmed when he remembers good old Blind Banker times:
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I like this topic
Here's my contribution:
Baskerville. Sherlock. John. A romantic fireplace and... a heart between them...
Do I really need to explain myself????
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Oh, I didn't see the heart until now.
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Now I can also see it - lovely!
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I would like to know who arranged the scene like that and what they were thinking.
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Yes, I've known this for months...
I'm just wondering if this heart belonged to the existing set-up of the real Cross Keys Pub the film team was approvingly accepting to add some subtleness - or if they brought it along by themselves and hanged it up there...
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Oh, now I see the "real" heart